HTTP状态 404 - 未找到

HTTP状态 404 - 未找到


类型 状态报告

描述 源服务器未能找到目标资源的表示或者是不愿公开一个已经存在的资源表示。


Apache Tomcat

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    JIANGHAN ACADEMIC 2010 Vol.29
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    JIANGHAN ACADEMIC    2010, 29 (1): 5-10.  
    Abstract221)      PDF (1541KB)(213)       Save
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    JIANGHAN ACADEMIC    2010, 29 (1): 11-15.  
    Abstract214)      PDF (1533KB)(200)       Save
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    JIANGHAN ACADEMIC    2010, 29 (1): 16-20.  
    Abstract287)      PDF (1458KB)(137)       Save
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    Bian Zhilin’s Succession and Transcendence of New Moon Poetic Sect
    ZHANG Ning
    JIANGHAN ACADEMIC    2010, 29 (1): 21-27.  
    Abstract251)      PDF (1476KB)(259)       Save
    Bian Zhilin’s poetic creation bears a close original relationship with the New Moon Poetic Sect.It can be exemplarily verified by substantial documentary data and works that Bian’s succession and transcendence of the Sect can be investigated in the 3 aspects of the musicalness of the poetic language,the metricalization of new poems and the new poems dramatization and novelisation.Where by his particular pursuit of poetics and his expression of exquisite poetic art are fully exhibited.
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    JIANGHAN ACADEMIC    2010, 29 (1): 28-32.  
    Abstract271)      PDF (1532KB)(193)       Save
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    “Dharmadhãtu” and Establishment of Ontology of “Qing(Sentiments)” in A Dream of Red Chambers
    GAO Yuan
    JIANGHAN ACADEMIC    2010, 29 (1): 33-37.  
    Abstract300)      PDF (1690KB)(119)       Save
    A Dream of Red Chambers establishes its ontology of “Qing”on the term of “Dharmadhãtu” which interweaves spirituality with the practice of “qing”. A Dream of Red Chambers makes it possible to integrate “qing” with “kong(sūnya)” in an ambiguous way, and it also highlights the purpose of vilifying the society and times; With the spread and development of “qing”, the “Dharmadhãtu” wisdom is embodied everywhere. Based on “Dharmadhãtu”, “qing” inevitably finds itself in distressing circumstances. At last, the purpose of A Dream of Red Chambers has been achieved on the horizon of desolation.
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    JIANGHAN ACADEMIC    2010, 29 (1): 38-43.  
    Abstract245)      PDF (1542KB)(113)       Save
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    Reinterpretation of “To be,or not to be …”
    WANG Yu-li
    JIANGHAN ACADEMIC    2010, 29 (1): 44-50.  
    Abstract404)      PDF (1487KB)(197)       Save
    The well-known monologue of “To be, or not to be …” by Hamlet can be interpreted as “To thrust myself forward,or to forbear and flinch…”.Such is possible on the ideological background of the cyclic theory and the theory of dramatic situation,with the monologic words deeply deliberated,the monologic situation restored and with the whole spiritual course and the character trait of the monologist understood.Considering the play as a whole,the combination of trascendence and defectiveness constitutes the kernel of Hamlet’s tragic character,which finally gives rise to his tragic fate.Still the above-mentioned translation of the beginning part of the monologue well enables people to sense metaphorically the transcendence and defectiveness of Hamlet’s tragic character.With the guidance of the two theories mentioned,and on full consideration of the situation the character is in,as well as his whole spiritual course,to show the inner life traits of the character through interpretation is a worthwhile attempt in dramatic translation.
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    JIANGHAN ACADEMIC    2010, 29 (1): 51-55.  
    Abstract230)      PDF (1451KB)(124)       Save
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    Desire Aesthetics Literary Theory and Construction of Contemporary Literary Theory of China
    ZHANG Yu-neng
    JIANGHAN ACADEMIC    2010, 29 (1): 56-60.  
    Abstract347)      PDF (1460KB)(151)       Save
    French thinker Baudrillard’s research on the nature of postmodernist society——consumption society shows that art and literature of the consumption society become pure symbol reproduction, and consumption society becomes a simulated hyperreal society by mass media, advancing the very realistic consumption cultural theoretical problem and that of human consumption desire. It provides a reference frame for us to construct Chinese-featured contemporary literary theory,which should pay close attention to consumption problem of daily life, and the problem of consumption desire to enasle mass culture to develop healthily, in order to guard against desirousness in daily life and effect the true aestheticalization in life.
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    Questioning Valdity of Li Ze-hou’s Aesthetics System
    HAN Xiao-long
    JIANGHAN ACADEMIC    2010, 29 (1): 61-67.  
    Abstract228)      PDF (1487KB)(147)       Save
    In the 1950’s, Li Ze-hou successfully connected Hegel’s “idea” with Czerny Khrushchev’s “life” and realized Hegel’s materialismization. In the 1980’s, he materialized Kant’s idealist apriorism to meet the need of Marxist mainstream ideology, which was known as Li’s “grafting” theory. Li Ze-hou’s was the instrumentalist philosophy, which was the sturting point as well as the basic string that ran through his whole philosrphical ideological system.In the middle of 1980’s, he proposed subjective philosophy. Situation ontology, which he put forward later,further emphasized perception, chance and erotic theory. However, there existed an irreconcilable tension structure between “situation ontology” and “instrumentalism”. Therefore, instrumentatlism shackled his potentiality for academic development. In order to break through the awkward theoretical situation, Li Ze-hou consulted Marxist and Kant’s three criticisms, using Marx’s practical and historical concept to reform Kant’s apriorist theory of subject.He tried to change “apriorism” into “history”,but it wasn’t “the whole history” that Hegel defined. On the contrary, it was a concrete history with the practice of the human society. He waned to deny two philosophers at one time, which was uttarly impossible. As a result, Li’s “subjectivity” became a philosophic notion beyond the explanation of speech. Definitions of conception were always contradictive and interfered with each other. They looked precise but actually logically loose. His coinages were not a few stil they failed to cover the chaos of his internal system.
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    Literary estheticism and survival of contemporary human beings ——An argument on the meaning of the study of literary estheticism in new century
    XIANG Hua-jiang, TAO Shui-ping
    JIANGHAN ACADEMIC    2010, 29 (1): 68-72.  
    Abstract233)      PDF (1460KB)(141)       Save
    Literary estheticism is a new discipline with vigor, arising from the research circle, with literary art as its research on concerns over the life meaning and values. This paper is an attempt to turn attention to the language context of the survival of contemporary human beings in the background of culture turning, as well as to summarize the theories and practical meaning of literary estheticism.
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    JIANGHAN ACADEMIC    2010, 29 (1): 73-76.  
    Abstract236)      PDF (1525KB)(298)       Save
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    JIANGHAN ACADEMIC    2010, 29 (1): 77-81.  
    Abstract274)      PDF (1532KB)(396)       Save
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    JIANGHAN ACADEMIC    2010, 29 (1): 82-85.  
    Abstract303)      PDF (1527KB)(111)       Save
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    On Qiwu(No Respecter of Things) by Master Zhuang
    LU Miao-jun
    JIANGHAN ACADEMIC    2010, 29 (1): 86-90.  
    Abstract344)      PDF (1544KB)(893)       Save
    On Qiwu is an important works reflecting Zhuangzi’s ideological confrontation with Logician ideas.Proposed in the article is the significant statement of “It’s preferable to explain that fingers are nonfingers by means of nonfingers to the explanation by means of fingers”,which helps to understand the different ideological theories between Zhuangzi and Gongsun Long.In the Period of the Warring States,when the trend of thoughts of “rectification of names”prevailed dominantly, a fairly meaningful subject was proposed in the article of “Land under heaven is no bigger than the tip of an animal’s autumn hair and Mount Taishan is small.”The proposition of “Heaven and earth coexist with me,and all things on earth and I blend into a harmonious whole.” which profoundly expresses Zhuangzi’s thought of “making ten thousand things flush” by the conception of “The way of Nature is a harmonious whole.” It’s an effective approach to explicate Book of Master Zhuang by combining the academic background of Zhuangzi’s thought with the language environment of the text.
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    Research on Shen Yiguan’s Thought of Zhuangzi Studies
    HUANG Hong-bing
    JIANGHAN ACADEMIC    2010, 29 (1): 91-95.  
    Abstract287)      PDF (1544KB)(119)       Save
    Basically Shen Yiguan examined and judged Zhuangzi from the Confucian viewpoint as well as from social reality,which was a most conspicuous characteristic in his notation of Zhuangzi and which provided a new visual angle to explicate Zhuangzi in the history of Zhuangzi studies.Aiming at two major abuses of Zhuangzi,Shen paid attention to unifying inactivity with activity,and individual perception with social rationality,and with respect to the relationship between the latter,he furthe consummated the idealist philosophy of confucian school of the Song and Ming dynasties,admitting;promoting and enriching the reasonability of human thought material desire.These are of real and progressive significance.Shen’s Zhuang studies deserve some position in the history of Zhuang studies as well as in the ideological history of China.
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    Two Discussions About Subjectivity of Modern Chinese Ideology
    LU Yong
    JIANGHAN ACADEMIC    2010, 29 (1): 96-100.  
    Abstract209)      PDF (1464KB)(116)       Save
    Li Zehou’s and Deng Zhenglai’s researches on subjectivity have an important influence on modern Chinese ideology.Of the two,Li’s subjectivity refers to that of human while Deng’s to that of China.The change from Li’s “subjective human”to Deng’s“subjective China” means the restoration of self-consciousness of modern Chinese ideology,which is of important enlightening significance in establishing Chinese social values and order.
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    Language Generation of A/H1N1 Flu
    ZHOU Xiao-juan
    JIANGHAN ACADEMIC    2010, 29 (1): 101-104.  
    Abstract220)      PDF (1454KB)(147)       Save
    The static state of language is relative,while dynamic absolute. The actual term change from “swine flu”to“A /H1N1 influenza” shows that the language can be generated through the rectilinear “basis, amendment,generation ”process. It also undergoes the psychological cognitive process from speech to language.
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    Examples of New Title Forms
    ZHAO Qi
    JIANGHAN ACADEMIC    2010, 29 (1): 105-109.  
    Abstract213)      PDF (1459KB)(111)       Save
    The title form refers to the specific or conventional form structure of titles.As a first step for the reader to contact the text,it is a significant consisting part of speech works and has its own particular standard of choice in forms.With the rapidly changing development of language,there appears a large amount of title forms with some new features in stucture.
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    On the Division and Combination of the “Initial Consonants” of “zhi zhuang zhang” in Zhongyuan Phonology in terms of the Chengyang Dialect
    FU Xin-jun
    JIANGHAN ACADEMIC    2010, 29 (1): 110-112.  
    Abstract232)      PDF (1518KB)(367)       Save
    The “zhi” “zhuang ” “zhang” of the middle ancient times were combined into two different “Initial Consonants” in Chengyang Dialect. The category of the 3“Initial Consonants” in Zhongyuan Phonology is consistent with that in Chengyang Dialect. It shows that the phonetic value of “zhi” “zhuang ” “zhang” were practically combined into two.
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    JIANGHAN ACADEMIC    2010, 29 (2): 5-7.  
    Abstract178)      PDF (1645KB)(151)       Save
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    JIANGHAN ACADEMIC    2010, 29 (2): 8-13.  
    Abstract534)      PDF (1617KB)(346)       Save
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    Flying Upwards And Observing Calmly ——A Comparison of Wen Yiduo’s and Fei Ming’s Criticism of New Poetry
    CHEN Qian
    JIANGHAN ACADEMIC    2010, 29 (2): 14-17.  
    Abstract279)      PDF (1594KB)(137)       Save
    Wen Yiduo and Fei Ming are both famous poets, scholars, writers and poetic critics in the history of Chinese literature. Wen Yiduo directly participated in poetic writing and poetic criticism in the Period of the May 4th Movement of 1919 and continued his effort until the 1940s; while Fei Ming, a then teacher of Peking University, chose as his course content the works of a dozen of modern poets, aiming to appreciate new poetry as well as put forward criteria for new poetry criticism. Both of them have made distinctive contributions to the history of Chinese modern poetic criticism. The present article compares Wen Yiduo and Fei Ming in their views and criteria for poetic criticism, their unique styles as well as their influence on the history of literature,such helps to explore the value of their poetic criticism and the promotion they made to Chinese modern poetry criticism.
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    JIANGHAN ACADEMIC    2010, 29 (2): 18-21.  
    Abstract346)      PDF (1653KB)(114)       Save
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    Definition and Classification of Post Tang Yuefu Poems
    WANG Hui-bin
    JIANGHAN ACADEMIC    2010, 29 (2): 22-29.  
    Abstract408)      PDF (1703KB)(412)       Save
    Caused by history,culture,aesthetic standards,etc.post Tang Yuefu poems of the 6 dynasties of Song,Liao,Jin,Yuan,Ming and Qing are qualitatively changed and apparently different from those of the 2 dynasties of Han and Tang,Viewing it from the perspective of famous Yuefu pieces,post Tang Yuefu poems fall into 2 categories of old and new themes.Neco theme Yuefu consists of extempore,Gexing and Zhuzhi Yuefu.In the study of Post Tang Yuefu poems,it won′t do to scrutinize the works in the same light as with Han and Tang Yuefu poems.The thesis of “non Yuefu Gexing” by Matsuura Misasuke,a Japanese scholar,is utterly inconsistent with the reality of post Tang Yuefu poems and cannot be used to define post Tang Yuefu Gexing.
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    JIANGHAN ACADEMIC    2010, 29 (2): 30-34.  
    Abstract266)      PDF (1588KB)(184)       Save
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    Review and Comments on Different Editions of The Border Town
    CAO Qing-shan
    JIANGHAN ACADEMIC    2010, 29 (2): 35-41.  
    Abstract286)      PDF (1692KB)(166)       Save
    The Border Town has six major editions(texts):the early edition,the first edition,the revised edition,the corrected edition,the re-proofing edition and the complete works edition.From the first edition to the revised one,the Border Town reflects the art modifications and the obviousness of the author’ screative ideas;from the revised edition to the corrected one,the book deals with the adjustmen the author makes to adapt to the new code of the language and ethics and his insistence on the concept of literature as well as makes some art amendments. In fact, only two pionts take place in the whole course of the change of editions“text test”and the other is the author’s adherence to the literature concept with “life” as the core.Comprehensively speaking, the complete worksedition can be called as a “good edition”.
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    On erotics of art of Susan sontag
    CHEN Wen-gang
    JIANGHAN ACADEMIC    2010, 29 (2): 42-46.  
    Abstract378)      PDF (1593KB)(147)       Save
    The erotics of art emphasizes the form and therefore sensibility, it's a loud shout to the ear of sensibility. There are some likeness between erotics of art and aesthetical liberation of Eros of H.Marcuse. As a base of life, eros finally walks to an end with aesthetics, that's freedom.Susan sontag claimed that the erotics of art from against interpretation is intersubjectivity and indivisibility of body and mind.The base of erotics is eros which is fundamentality life.With the eros,art goes to freedom finally. Uudoubtedly, this proposition of Susan is instructive to the criticism and theory of art in China for that the erotic of art means form and sensibility of art.
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    JIANGHAN ACADEMIC    2010, 29 (2): 47-50.  
    Abstract253)      PDF (1581KB)(155)       Save
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    JIANGHAN ACADEMIC    2010, 29 (2): 51-55.  
    Abstract195)      PDF (1589KB)(199)       Save
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    Scientific Development View in Marxist Philosophical Ken
    LIN Yu-yin
    JIANGHAN ACADEMIC    2010, 29 (2): 56-59.  
    Abstract240)      PDF (1579KB)(117)       Save
    Scientific development View is the actual practice of the fundamental principles of Marxist philosophy in socialist modernization,and has profound inside information.The putting forward of the view embodies the principle of Marxist philosophical view of practice first;“development” embodies the principle that productivity is the final decisive force of social development;“people orientedness”, the principle that the masses are the subject of social history;“comprehensiveness,coordination and sustainability”,the universal relation between things and dialectical unity;and “overall planning and all-round arrangement”,the doctrines of two aspects of everything and the key point..
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    JIANGHAN ACADEMIC    2010, 29 (2): 60-63.  
    Abstract238)      PDF (1575KB)(131)       Save
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    JIANGHAN ACADEMIC    2010, 29 (2): 64-67.  
    Abstract260)      PDF (1578KB)(127)       Save
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    Original State of The Great Learning and Original Sense of Gewu
    ZHANG Xue-jun
    JIANGHAN ACADEMIC    2010, 29 (2): 68-72.  
    Abstract211)      PDF (1682KB)(123)       Save
    The original sense of Gewu(investigation of things)got lost as a result of disarrangement of the tablets of The Great Learning.It was an intricate case in the academic history.To inquire into the original sense of Gewu, the present paper started from the original text of the Han and the Tang dynasties to probe into the changes of The Great Learning text.And at last it was discovered that in sorting out the text in his commentary,Philosopher after Zeng made the first disarrangement of the tablets,and in re-sorting,the Song dynasty Confucians made the second.The two changes mixed the words into other sections which the Song dynasty Confucians looked upon as “missing tablets” and made up the deficinency in their own way.Such became the main cause of the complete darkness of the saying abut Gewu.After the restoration of the orignal state of The Great Learning,words of “knowledge lies in Gewu” naturally appeared,and that was virtually the words Confucius used on litigation,wherein the original sense of Gewu was implied,i.e.the exhaustive study of the nature of things.Looking at the full text of The Great Learning,one can see that the gist of “knowledge lies in Gewu” rests in keeping composed.
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    JIANGHAN ACADEMIC    2010, 29 (2): 73-78.  
    Abstract326)      PDF (1592KB)(116)       Save
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    Two Dimensions of Mystique and Non-mystique in Religious Experience
    XU Cai-yi,YANG Yu-rong
    JIANGHAN ACADEMIC    2010, 29 (2): 79-84.  
    Abstract294)      PDF (1669KB)(109)       Save
    In the context of contemporary research on religious studies,the term “religious experience” as one of the basic essentials is one with embiguous meanings. On different occasions or in different theoretical systems of religious studies,it often has meanings not fully the same or even entirely different.First of all,therefore,it is imperative to conduct an investigation of its name and connotations and then analyse the heart of the matter,i.e.“personal experience in religion”,and further on,a discussion is to be held of its two dimensions of mystique and non-mystique so as to pry into the where of the essence of religious experience.
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    JIANGHAN ACADEMIC    2010, 29 (2): 85-88.  
    Abstract239)      PDF (1664KB)(134)       Save
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    Lu Zuqian’s Discrimination of King and Despot in His Study of ZuoZhuan
    SUN Xu-hong
    JIANGHAN ACADEMIC    2010, 29 (2): 89-93.  
    Abstract278)      PDF (1685KB)(368)       Save
    In his succession to Mencius,Wang Anshi was the first to start dealing with king and despot through “disposition”,which led the annotation in the Song Dynasty study of The Annals,and on the basis of which Lu’s discrimination of righteousness,benefit and fame,position was further developed in consideration for the then situation and expectancy after the south transition of the Song royal household.It can be seen that Lu gave first priority to theory in his choice of king and despot,such was originafed from Mencius.Therefore,to Lu dealing with the kingly rule by virtue was exactly a “realm”.
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    (34 Items of) Checks and Corroborations of Syntactics and Semantics of Chu Ci
    WANG Wei
    JIANGHAN ACADEMIC    2010, 29 (2): 94-98.  
    Abstract278)      PDF (1691KB)(141)       Save
    By exploiting the terminological laws of Chu Ci and Wang-Yi-noted Chu Ci,and in combination with the evidence of the Chu Ci prints(other than Supplementary Notes to Chu Ci) and other relevant documents handed down from ancient times,reasonable corrections can be made of the wrong contents of “dao(fall),tuo(cast),yan(spread) and e(bluff)” as seen in Wang Yi's Syntactics and Semantics of Chu Ci in the modern edition of Supplementary Notes to Chu Ci,hence offering help to the further checks and arrangements of the Syntactics and Semantics.
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    JIANGHAN ACADEMIC    2010, 29 (2): 103-107.  
    Abstract271)      PDF (1677KB)(177)       Save
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    JIANGHAN ACADEMIC    2010, 29 (2): 108-112.  
    Abstract275)      PDF (1588KB)(155)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 5-10.  
    Abstract291)      PDF (1673KB)(112)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 11-15.  
    Abstract220)      PDF (1531KB)(153)       Save
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    Life Multiplication:One Original Text and Five Target Texts
    Institute of Foreign Literature,Chinese Academy of Social Sciences,Beijing 100732,China
    JIANGHAN ACADEMIC    2010, 29 (3): 16-19.  
    Abstract343)      PDF (1602KB)(144)       Save
    translation of poems| original text| target text| Pasternak| February
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    Text Interpretation of Party Leaders’ Literary & Art Theory in New Period
    JIANGHAN ACADEMIC    2010, 29 (3): 20-23.  
    Abstract221)      PDF (1518KB)(139)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 24-25.  
    Abstract226)      PDF (1500KB)(121)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 26-28.  
    Abstract190)      PDF (1501KB)(114)       Save
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    JIANGHAN ACADEMIC   
    “Homophony” and “Dialogue” in Novels by Mo Yan
    The Editorial Office of Journal,Politics and Law University of China,Beijing 100084
    JIANGHAN ACADEMIC    2010, 29 (3): 35-41.  
    Abstract330)      PDF (1538KB)(182)       Save
    novels by Mo Yan| “homophony”| “dialogue”
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    Disparity of Expectations and Malposition of Roles
    School of Literature,Nankai University,Tianjin 300071,China
    JIANGHAN ACADEMIC    2010, 29 (3): 42-46.  
    Abstract258)      PDF (1601KB)(113)       Save
    Song Lian| mentality| Confucian identity| role of a scholar
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    JIANGHAN ACADEMIC    2010, 29 (3): 47-48.  
    Abstract291)      PDF (1571KB)(160)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 49-52.  
    Abstract213)      PDF (1594KB)(109)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 53-56.  
    Abstract197)      PDF (1579KB)(114)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 57-60.  
    Abstract207)      PDF (1514KB)(143)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 61-65.  
    Abstract265)      PDF (1590KB)(125)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 66-68.  
    Abstract240)      PDF (1574KB)(266)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 69-72.  
    Abstract236)      PDF (1512KB)(127)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 73-79.  
    Abstract208)      PDF (1652KB)(190)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 80-85.  
    Abstract227)      PDF (1598KB)(196)       Save
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    Origin of Hui Nationality in Dachang
    School of History & Culture,Northwest University for Nationalities,Lanzhou 730030,China
    JIANGHAN ACADEMIC    2010, 29 (3): 86-89.  
    Abstract533)      PDF (1521KB)(111)       Save
    Dachang Hui national autonomous county| Beijing-Tianjin area| the Hui nationality| origin
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    A Brief Account of“Six San Ji” In Wei,Jin, Northern and Southern Dynasties
    School of History,Capital Normal University,Beijing 100048,China
    JIANGHAN ACADEMIC    2010, 29 (3): 90-94.  
    Abstract226)      PDF (1600KB)(147)       Save
    “six San Ji”(expostulative officials)| expostulation office| task| reason
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    JIANGHAN ACADEMIC    2010, 29 (3): 95-99.  
    Abstract219)      PDF (1530KB)(125)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 100-104.  
    Abstract231)      PDF (1538KB)(249)       Save
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    JIANGHAN ACADEMIC    2010, 29 (3): 105-108.  
    Abstract204)      PDF (1690KB)(129)       Save
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    Intertextuality-based Translation of Expressions of Two Chinese Characters with Opposite Meanings
    School of Foreign Languages, Jianghan University, Wuhan 430056
    JIANGHAN ACADEMIC    2010, 29 (3): 109-112.  
    Abstract354)      PDF (1529KB)(146)       Save
    expression of two Chinese characters with opposite meanings| intertextuality| intertextuality-based translation
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    JIANGHAN ACADEMIC    2010, 29 (4): 5-10.  
    Abstract249)      PDF (1740KB)(121)       Save
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    Transmutation of Dark Poetics,or Beauty of Turning Into Butterfly
    XI Du
    JIANGHAN ACADEMIC    2010, 29 (4): 11-18.  
    Abstract268)      PDF (1686KB)(189)       Save
    So far as spirit,temperament and compositional consciousness are concerned,a clear and bright kind of consciousness played a leading role in female poem writing in the misty poetry period as represented by Shu Ting,which distinguished itself from that of the male poems of the same period.Against Shu Ting’s bright consciousness,Di Yongming,a new generation female poem writer,adranced a tit-for-tat dark consciousness by way of subversion.Women poets of the new generation are different from poets of the previous stage in both consciousness and writing skill.On the basis of what has been achieved by the women poets of the former generation and with an even more open gesture and a broader consciousness,they compose nutrients from domestic and foreign poems,incessantly hone and enhance their poetic skill through practice,and bring female poems into a new,solid and fruitful stage.The dark consciousness in Chi Lingyun’s poems has something to do with that in the poems by women poets of the 1980 generation,yet that has been reformed by Chi’s new self consciousness,wisdom of life and poetic skill,thus it establishes a corresponding relationship with existence as well as provides a new possibility to write female poems.
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    JIANGHAN ACADEMIC    2010, 29 (4): 19-24.  
    Abstract262)      PDF (1661KB)(132)       Save
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    Study of Sinicismed Socialist Literature-and-Art Theory Has to Be Urgently Strengthened
    XIONG Yuan-yi
    JIANGHAN ACADEMIC    2010, 29 (4): 25-31.  
    Abstract259)      PDF (1673KB)(139)       Save
    It is imperative to pay supreme attention to and to make deep-going study of sinicismed socialist literature-and-art theory.The study should be conducted not by cutting out the objective object from theoretical dogma but by reaching scientific conclusion from the objective object itself.Sinicismed socialist literature-and-art theory should not only promote diversified development of literature and art in contemporary china but also lead the development on the basis of a correctly-guided orientation.
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    JIANGHAN ACADEMIC    2010, 29 (4): 32-35.  
    Abstract225)      PDF (1645KB)(108)       Save
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    JIANGHAN ACADEMIC    2010, 29 (4): 36-39.  
    Abstract259)      PDF (1649KB)(162)       Save
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    JIANGHAN ACADEMIC    2010, 29 (4): 40-45.  
    Abstract235)      PDF (1736KB)(235)       Save
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    JIANGHAN ACADEMIC    2010, 29 (4): 46-50.  
    Abstract259)      PDF (1657KB)(288)       Save
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    JIANGHAN ACADEMIC    2010, 29 (4): 51-55.  
    Abstract245)      PDF (1658KB)(119)       Save
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    Works on Principles of Philosophy in Contemporary West:Their Types and Characteristics
    ZHANG Fa
    JIANGHAN ACADEMIC    2010, 29 (4): 56-63.  
    Abstract258)      PDF (1685KB)(135)       Save
    Works on principles of philosophy are mainly produced in answer to the need of teaching.They include the 3 types of branches of learning,relevant problems and the type of significance.They present 4 characteristics:firstly,meditation is practised with human nature as the basic point;secondly,detailed self inquiries are made;thirdly,there are rational critical and modest natures and lastly,there shows the position of God in philosophy.
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    “Rites” in Tao Te Ching by Laozi
    XU Yan-long
    JIANGHAN ACADEMIC    2010, 29 (4): 64-67.  
    Abstract322)      PDF (1744KB)(224)       Save
    Laozi said that rites were “the head of a riot,which slight faithfulness and sincerity”.Most scholars take it to be a purposeful opinion offered by Laozi in opposition to the proposition of “exercising self-restraint and return to rites” by Confucius.With the deepening of the research on Laozi and the excavation of the underground unearthed documents,some records from ancient documents become open to discussion.By reasonably defining the 3 denotative categories of Laozi's “rites”,Duke of Zhou's “rites” and the “rites” of confucius,the following conclusion can be readily made:Laozi expressed his thought,aiming at Duke of Zhou's “rites”.And Laozi and Confucius did not denote the same level in their definitions of “rites” categories,still they were in agreement in their inner spirit and they both critically reformed Zhou rites.
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    JIANGHAN ACADEMIC    2010, 29 (4): 68-70.  
    Abstract277)      PDF (1704KB)(107)       Save
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    Confirmation of Chinese Cultural Key Words of “he(harmonious)·tong(consistent)”
    ZHOU Guang-qing
    JIANGHAN ACADEMIC    2010, 29 (4): 71-76.  
    Abstract249)      PDF (1753KB)(120)       Save
    As key intermediary signs of interaction between the Chinese nation and her existential space for creating culture,the formation and development of the Chinese cultural key words of “he” and “tong” reflect the evolutionary laws of both Chinese culture and Chinese vocabulary,and both have their inner necessity.Originally,as common words,they were pregnant with cultural seeds;later,on their way to key words,they cut across rough and rugged paths;and finally,as key words,they perform multiple functions.
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    Evolution of Cultural Sense in Time-Space Dimensions and Historical Current
    MENG Xian-ping
    JIANGHAN ACADEMIC    2010, 29 (4): 77-82.  
    Abstract264)      PDF (1733KB)(108)       Save
    Up to the present,people have had varied definitions as to cultural concepts,which are hard to be compatible.When taken contrastively,the objective factors of the varistion of cultural concepts are caused as a result of the change of time and space,territorial changes,advance of science and technology,cultural exchanges,etc.And the subjective factors are the varied main bodies formed by different countries and nations,and people in different districts,together with the variousness of cultural understanding.And the main cause for the difficulty in cultural definition is the lack of unified standard and clear-cut boundary as well as people’s restrictions in knowledge.The change of cultural concepts embodies people’s estimation of values,reflects people’s cultural mentality as well as the change of society.
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    Study of “You Sprite of a +Term of Person” Structure in Jin-Ping-Mei
    WANG Lin,ZHENG Jian-ping
    JIANGHAN ACADEMIC    2010, 29 (4): 83-86.  
    Abstract286)      PDF (1732KB)(169)       Save
    The grammaticle structure of “You sprite of a + term of person”,which is nowadays rarely seen,frequently appears in the vernacular novels of the Ming and Qing Dynasties as represented by Jin-Ping-Mei,and which is applied to expressing displeasure,rebuke or addressing someone.“You sprite of a” in the structure is extended in meaning from “rebuke”,and has a grammaticized nature.As it belongs to dialectical slang,popular in vernacular novels and suitable for the need of special language environment,this structure is pragmatically confined.
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    Study of “You Sprite of a +Term of Person” Structure in Jin-Ping-Mei
    WANG Lin,ZHENG Jian-ping
    JIANGHAN ACADEMIC    2010, 29 (4): 87-90.  
    Abstract249)      PDF (1664KB)(136)       Save
    The grammaticle structure of “You sprite of a + term of person”,which is nowadays rarely seen,frequently appears in the vernacular novels of the Ming and Qing Dynasties as represented by Jin-Ping-Mei ,and which is applied to expressing displeasure,rebuke or addressing someone.“You sprite of a” in the structure is extended in meaning from “rebuke”,and has a grammaticized nature.As it belongs to dialectical slang,popular in vernacular novels and suitable for the need of special language environment,this structure is pragmatically confined.
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    JIANGHAN ACADEMIC    2010, 29 (4): 91-93.  
    Abstract276)      PDF (1640KB)(147)       Save
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    Qin Hui’s Thoughts of Capitulationism
    ZHANG Yun-zheng
    JIANGHAN ACADEMIC    2010, 29 (4): 94-98.  
    Abstract374)      PDF (1731KB)(219)       Save
    Diplomacy of the Song Dynasty is well-known for its failure,and the important reason is the “upsurge” of the capitulationist thoughts during the last years of the Northern Song Dynasty and the Southern Song Dynasty period.Qin Hui’s is most typical of the thougts. He advocated “Southerners return to the south and northerners return to the north” and that the enemy should be treated with all sincerity.In suing for peace,people should “suffer self aggrievement”,they should stand firmly and never balk at all cost.The source of his thoughts of capitulationism is that in the face of the strong enemy,he utterly lost his mettle;he was sheer egoistical and he catered to the emperor’s thoughts of capitulation with his “loyalty to the throne”; in order to consolidate his position, he did not hesitate to give up national interests;he took “preservation of the southeast” as a facade to conceal his actual purpose of dragging out an ignoble existence.Qin’s thoughts of capitulationism exert an important impact on the later period of the Southern Song Dynasty.
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    Morally-Educated Life in Ming and Qing Dynasties and Its Modern Enlightenment
    XUE Li-li
    JIANGHAN ACADEMIC    2010, 29 (4): 99-102.  
    Abstract226)      PDF (1715KB)(150)       Save
    Moral education in life has deep and thick soil in China,especially in the Ming and Qing Dynasties.“Knowledge and action should go hand in hand”,“heavenly principles are experienced and cognized everywhere”,etc.all cleary show that the whole process of moral education is vitally interrelated with life.This paper aims at sorting out and pondering over the content of moral education in life in the Ming and Qing Dynasties in the hope of seeking enlightenment as to the understanding about ideologically and politically educated life.
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    JIANGHAN ACADEMIC    2010, 29 (4): 103-108.  
    Abstract261)      PDF (1668KB)(195)       Save
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    JIANGHAN ACADEMIC    2010, 29 (4): 109-112.  
    Abstract273)      PDF (1648KB)(267)       Save
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    JIANGHAN ACADEMIC    2010, 29 (5): 5-10.  
    Abstract226)      PDF (1806KB)(115)       Save
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    A Psychical Analysis of Fake Actions ——Fabled Reading Notes of Zhai Yongming’s Poetry
    ZHANG Guang-xin
    JIANGHAN ACADEMIC    2010, 29 (5): 11-16.  
    Abstract340)      PDF (1727KB)(125)       Save
    From the aspect of political aesthetics, Zhai Yongming’s early poetry was with the shade of fake actions. By collecting, distinguishing and picking up the elements of fake actions, the embryological significance of the fake actions could be figured out, and their use value, exchange value and even the process of their disappearance could be examined. We could recognize how the elements of the fake actions, which were almost referred to as characteristics of Zhai Yongming’s poetry writing, were related with the contemporary world and served instructions and summons from the language principle. By using and discarding those fake actions, the poet found a way to make her poetry perfect, and express her pursuit of writing deep into the era.
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    JIANGHAN ACADEMIC    2010, 29 (5): 17-23.  
    Abstract289)      PDF (1731KB)(133)       Save
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    Deep Aesthetic Psychology and Aesthetic Phenomenon
    ZHANG Yu-neng
    JIANGHAN ACADEMIC    2010, 29 (5): 24-30.  
    Abstract279)      PDF (1798KB)(120)       Save
    Human aesthetic phenomena vary greatly and also have many in common. Though the causes that form the differences and similarities are very complex, a fundamental one is difference and similarities concerning deep aesthetic psychology. However, the aesthetic consciousness is with differences and similarities of nation, class, times, region and individuality, which are external direction of internal impel power of aesthetic consciousness, and also externality of human deep aesthetic psychology.
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    JIANGHAN ACADEMIC    2010, 29 (5): 31-34.  
    Abstract293)      PDF (1706KB)(206)       Save
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    JIANGHAN ACADEMIC    2010, 29 (5): 35-38.  
    Abstract272)      PDF (1716KB)(145)       Save
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    Metaphor of “Mental Illness” and Salvation of “Other” ——Interpretation of Yan Geling’s Novel Renhuan
    WANG Miao
    JIANGHAN ACADEMIC    2010, 29 (5): 39-42.  
    Abstract331)      PDF (1714KB)(199)       Save
    Yan Geling’s novel, Renhuan was republished, being renamed as Is Psychiatrist in. The matter of renaming conveys a wealth of cultural information. It shows that the novel is not only a text about the “metaphor of disease”, but also an experimental text of reconstructing identity of an overseas Chinese writer. The novel presents the efforts and consideration of Yan Geling, as an overseas Chinese Writer, for the “cultural treatment” from the “others”, and tries to penetrate into the deep part of history from the point of the relationship between “speech and right”, which is the significance of the novel.
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    On the Assortment and Sequencing of “Fu ”in Han Su:Yiwenzhi ——Also on The Elegies of Chu Not Being Seleted from the Kind of Quyguan “Fu”
    YIN Jiang
    JIANGHAN ACADEMIC    2010, 29 (5): 43-47.  
    Abstract280)      PDF (1795KB)(619)       Save
    The Assortment and sequencing of the works about Fu in Hansu:Yiwenzhi are arranged according to categories, distinguishing one from another according to quality for the purpose of assorting, so not in disorder. The arrangement of the works of Mei Chen, Dongfang Shuo, Yang Xiong et al could find rational explanation. The assortment and sequencing not only were in line with the general editing styles, but also were influenced by the contemporary academic view, value standard and critical methods, which reflected modest academic atmosphere of Han Dynasty. The Elegies of Chu is far from The Songs of Quyuan of HansuYiwenzhi:shifulue. In addition, the study of the assortment and sequencing of Fu in Hansu:Yiwenzhi is helpful in knowing about works in The Elegies of Chu as the information about origin and description in Dongfang Shuo’s Qijian.
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    The Author of Jin Ping Mei Could not be Li Kaixian or Jia Sanjin
    LIU Ming
    JIANGHAN ACADEMIC    2010, 29 (5): 48-50.  
    Abstract270)      PDF (1709KB)(331)       Save
    Among the names of Li Kaixian’s and Jia Sanjin’s forefathers, many were homographic or homophonic with the names of humble characters and anti-heroes in Jin Ping Mei. If the author of Jin Pin Mei really is Li Kaixian or Jia Sanjin, they could never do so in that ancient time stereotyping to taboo. In addition, it seems that the author is unfamiliar with the geographic conditions of Tai Mountains. Thus, a deduction can be made that the author of Jin Ping Mei can not be Li Kaixian or Jia Sanjin.
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    JIANGHAN ACADEMIC    2010, 29 (5): 51-52.  
    Abstract250)      PDF (1763KB)(229)       Save
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    JIANGHAN ACADEMIC    2010, 29 (5): 53-55.  
    Abstract239)      PDF (1767KB)(283)       Save
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    The Western Contemporary Philosophic Principles: Defining and Composing ——the Second Research of The Western Contemporary Philosophic Principles
    ZHANG Fa
    JIANGHAN ACADEMIC    2010, 29 (5): 56-60.  
    Abstract269)      PDF (1720KB)(127)       Save
    There exist three kinds of thinking concerning the western contemporary philosophic principles, i. e. thinking of discipline, thinking of the important issues and thinking of significance. The important issues forms the basic framework of philosophy, and the language analysis and the significant pursuit for the important issues also become elements of the basic structure.
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    The Original Imagination and the Finitude of Dasein ——On Heidegger’s Interpretation of Kant’s Transcendental Imagination
    JIN Bao
    JIANGHAN ACADEMIC    2010, 29 (5): 61-66.  
    Abstract361)      PDF (1726KB)(489)       Save
    The transcendental imagination is of great importance in the Kant's Philosophy, on which Kant hesitated and conflicted greatly. As transcendental imagination of a “game space” between sensibility and intellectuality possesses original identity of time, the imagination and the time constitute essence of subject, so Heidegger discovered a shelter for his ideology in Kant philosophy, impelling finitude of knowledge into finitude of existent, and then started Ontological dimension of finite subject.
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    JIANGHAN ACADEMIC    2010, 29 (5): 67-69.  
    Abstract299)      PDF (1699KB)(168)       Save
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    On the Strain of Theory and the Tactics of the Time of Marxist Sinicization
    CHEN Yi-shou
    JIANGHAN ACADEMIC    2010, 29 (5): 70-76.  
    Abstract254)      PDF (1733KB)(117)       Save
    In the period of increasing problems in entering the initial stage of socialism, Marxist sinicization meets, from higher starting point, the challenge of many areas, deep level and great difficulties. The originality, challenge and risk of the great practice strengthen the course-directing and paradigm-proving. The paradigm-query, value-opposing, form-rejecting and ideology-challenging in the urgency and reality of the problem interpretation produce the internal strain of theory innovation. To sense the reality objectively, to analyze the problems scientifically, to recognize problems consciously and to seek tactics of the time are dynamic mechanism of self-transcendence of Marxist sinicization.
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    JIANGHAN ACADEMIC    2010, 29 (5): 77-81.  
    Abstract247)      PDF (1713KB)(105)       Save
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    The Establishment of the American Consulate in Tihua and its Attempt to Split Xinjiang
    JIA Chun-yang
    JIANGHAN ACADEMIC    2010, 29 (5): 82-85.  
    Abstract768)      PDF (1720KB)(418)       Save
    The establishment of American consulate in Tihua was the product of sudden changes of the international situation and the great changes in Xinjian situation. It was also a mirror of the American policy on China. The consulate had carried out a series of secret activities, including activities of splitting Xinjiang. The establishment of American consulate in Tihua and the civilities of splitting Xinjiang signified the starting point of the American policy on the problems of “East Turkish independence movement”.
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    JIANGHAN ACADEMIC    2010, 29 (5): 86-90.  
    Abstract247)      PDF (1726KB)(144)       Save
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    On the Aspect Mark “Zai” of Danjiang Dialect and its Origin
    SU Jun-bo
    JIANGHAN ACADEMIC    2010, 29 (5): 91-95.  
    Abstract237)      PDF (1789KB)(121)       Save
    In many Chinese dialects, the aspect mark “zai” is originated from “zai zhe (na) li”, which can be proved by the mark in Danjiang dialect. In Danjiang dialect, the sentence-final aspect mark “zai” is the abbreviation of “zai li” in the end of the verb structure, not from “zai” indicating existence. Grammaticalized “zai zhe (na)li” in the end of the verb phrases indicates continuance, and is in common with grammaticalized “zai zhe (na) li”in front of verbs in origin, which are the result of grammaticalization of prepositional object in their own positions.
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    JIANGHAN ACADEMIC    2010, 29 (5): 96-98.  
    Abstract288)      PDF (1706KB)(422)       Save
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    JIANGHAN ACADEMIC    2010, 29 (5): 99-103.  
    Abstract227)      PDF (1793KB)(150)       Save
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    JIANGHAN ACADEMIC    2010, 29 (5): 104-106.  
    Abstract245)      PDF (1784KB)(180)       Save
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    JIANGHAN ACADEMIC    2010, 29 (5): 107-109.  
    Abstract224)      PDF (1698KB)(240)       Save
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    JIANGHAN ACADEMIC    2010, 29 (5): 110-112.  
    Abstract244)      PDF (1839KB)(144)       Save
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    JIANGHAN ACADEMIC    2010, 29 (6): 5-9.  
    Abstract266)      PDF (1567KB)(135)       Save
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    The Habitual Nature of “Academism” in the Scene of the Contemporary Poetry
    JIANG Tao
    JIANGHAN ACADEMIC    2010, 29 (6): 10-12.  
    Abstract296)      PDF (1476KB)(117)       Save
    It is an extensive topic to discuss “academism”, which exists not only in the poetic circle, but also in the literary circle. In some sense, the creation and spreading of the modern knowledge and culture are supported and restricted by the academism system. Certainly, it is characterized with positive and negative factors. To get rid of the “academism” habit, the stereotyped methods are adoptedreading, seeing the world, reflecting, and debating, which not only widen the knowledge and make easy the quotation from “formal” and “informal” sources, but also make knowledge widened so as to combat conservation and sentiment of the profession.
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    JIANGHAN ACADEMIC    2010, 29 (6): 13-16.  
    Abstract277)      PDF (1482KB)(124)       Save
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    JIANGHAN ACADEMIC    2010, 29 (6): 17-22.  
    Abstract233)      PDF (1905KB)(144)       Save
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    JIANGHAN ACADEMIC    2010, 29 (6): 23-30.  
    Abstract244)      PDF (1521KB)(104)       Save
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    Perception about Impulse of the Marketing Discursion in the State Discursion ——a Macroscopical Ponder over the Management Policy about the New Media of Network of our Country
    GAO Hong-cun, YU Zheng
    JIANGHAN ACADEMIC    2010, 29 (6): 31-37.  
    Abstract224)      PDF (1577KB)(201)       Save
    New media is a product adopting new technology in the media business. The new media of network is one typical representative of the main stream media. The development of the new media of network makes people able to obtain information easily. It is with characteristics of easy spreading in the aspects as interactivity, initiative, individuation and mobility. But it is also with many problems as poor credibility, spreading unchecked of unhealthy information and etc. Thus, the management of internet also becomes the common problems of the world. The issue and implement of various responding policy and rules lagging behind the progress of technology pose new challenge to the management of the network and the control from the government.
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    “The Character of CiFu” and Xiao-Tong’s Wording of “ShenSi”
    WANG Shu
    JIANGHAN ACADEMIC    2010, 29 (6): 38-42.  
    Abstract263)      PDF (1573KB)(132)       Save
    The essence (fun) of the descriptive composition is “fabricating diction”. Xiao Tong's “contemplation” is an example. The reason isthe ancient scholars emphasized description. Literary Selections should be with the persuasive and scientific standards. The ideal alterative is taking descriptive composition as standard, to deduce essence from it, because ancient scholars regarded descriptive composition as poetry. A lot of composition was prone to description. The standard was gradually popular and was elevated as the one for all the “literary works”, which corresponded Xiao Tong's literary theory of evolution, was influenced by Wang Chon's theory of “chaoqi” and could be used to check works as Literary Selections. “Fabricating diction” was in accordance not only with “contemplation”, but also with Han Zao's theory, personality, individuation, textuality, and aesthetics.
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    JIANGHAN ACADEMIC    2010, 29 (6): 43-46.  
    Abstract250)      PDF (1548KB)(130)       Save
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    A Brief Comment on the Comparative Research in Recent Thirty Years about Romance of the Three Kingdoms & Au Men Are Brothers(Shui Hu zhuan)
    XU Yong-qiang, LI Rui-qin
    JIANGHAN ACADEMIC    2010, 29 (6): 47-52.  
    Abstract450)      PDF (1517KB)(451)       Save
    The two great famous novels, Romance of the Three Kingdoms and Au Men Are Brothers are alike in the process of writing, the theme, the artistic skill and the stating ways together with the relationship between the writers, so since their publication, there have come out abundant comparative research in various levels. Based on the selection of the literature of recent thirty years' comparative research about the two novels, the author of the paper briefly states about the problem from the angle of ideological content comparison, character image comparison and full-scope comprehensive comparison and makes a conclusion to the problem about their characteristics and existence.
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    A Probe into the Problem of Nation-state Emerging in Vernacular Movement
    XIA Hong
    JIANGHAN ACADEMIC    2010, 29 (6): 53-57.  
    Abstract248)      PDF (1492KB)(112)       Save
    The start and development of the Vernacular Movement cannot only be researched from the angle of development of literature or language itself. With the historic background when the social situation began to take great changes, the Vernacular Movement became the important role in constructing modern nation-state. In the construction of the nation-state, Europe and eastern Asian countries used national dialectal vulgarism to reform written languages so as to resist domination of traditional imperialist languages. The Vernacular Movement was the one using popular language form to replace the classical Chinese writings, which was already a unified national traditional language form. The principal historic impetus of the Vernacular Movement was from the western countries that had defeated the Chinese imperial. In the contact and conflict between Chinese and western cultural ideology, the problem of the national culture as the principal body was reflected on the intellectuals of the different circles.
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    A Brief Analysis of Private Discourse Penetrating from Literary Spheres to Popular Media
    JIN Cui-ping
    JIANGHAN ACADEMIC    2010, 29 (6): 58-62.  
    Abstract390)      PDF (1492KB)(161)       Save
    Private discourse, as a discourse practice, first appeared in the literary spheres and then penetrating the popular media——the public spheres. With the appearance of the private discourse writings in the literary spheres, “private topics” or “sentimental privacy” gradually derived and thrived in media and have become a new cultural phenomenon of popular media. In the development, the phenomenon can not only be examined in the western literary spheres and also be proved by the discourse development of the Chinese literary spheres.
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    “Kung Fu Panda”: a Familiar Stranger ——on Assimilation of the Chinese Culture by the Western Culture
    HUANG Hai-yan
    JIANGHAN ACADEMIC    2010, 29 (6): 63-67.  
    Abstract821)      PDF (1493KB)(572)       Save
    Kung Fu Panda of an American Animation reflects the new recognition of the westerners to the Chinese people in the new situation of the global development in various forms. The film uses plenty of Chinese images, but in seeing enormous familiar Chinese characteristic cultures, the Chinese audience are filled with unfamiliarness. The reasons for the feeling are as followthe needs of modern commerce, the superficial knowledge of the Chinese audience to the traditional Chinese culture, and the nature of the American culture as a melting pot. The cultural assimilation is a successful and beneficial trial in the exchange of the Chinese and western cultures.
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    On the Word “Jiong”
    FENG Guang-yi, ZHAO Man-ka
    JIANGHAN ACADEMIC    2010, 29 (6): 68-72.  
    Abstract343)      PDF (1579KB)(147)       Save
    From ancient times till now, Chinese characters have experienced long-time changes and development from inscriptions on bones or tortoise shells to contemporary standard words. Now with the prosperity of network language and words, Chinese words have entered a new development period. More and more words in the network language are borrowed from the ancient Chinese. “Joing”, one of the examples from archaist words, develops its own connotation and application, is used beyond network and enters realistic language life, the spreading tendency of which waits for the selection of history and language itself.
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    JIANGHAN ACADEMIC    2010, 29 (6): 73-76.  
    Abstract296)      PDF (1482KB)(134)       Save
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    JIANGHAN ACADEMIC    2010, 29 (6): 77-80.  
    Abstract805)      PDF (1480KB)(948)       Save
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    JIANGHAN ACADEMIC    2010, 29 (6): 81-84.  
    Abstract387)      PDF (1557KB)(496)       Save
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    Observation of Original Characters of the Current Xingzhou Dialect in Shuowen
    LUO Qing-yun
    JIANGHAN ACADEMIC    2010, 29 (6): 85-88.  
    Abstract338)      PDF (1593KB)(228)       Save
    A lot of words and expressions of the Xinzhou dialect are “local”, for example,[ts‘o11] [diau11][kε33][ko212][xo11][lin35][miε11]and so on But after detailed observation, the “local” words and expressions are practically of classical elegance. They have original characters in shuowen and many other ancient literature.
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    JIANGHAN ACADEMIC    2010, 29 (6): 89-92.  
    Abstract244)      PDF (1473KB)(118)       Save
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    Research on the Education Equality of the Minorities under the Imperial Examination System in Yuan Dynasty
    HUA Wen-feng
    JIANGHAN ACADEMIC    2010, 29 (6): 93-98.  
    Abstract399)      PDF (1499KB)(361)       Save
    Yuan Dynasty was established by Mongol Nationality, which was famous for “esteeming force”. At first the rulers was biased in cognition against imperial examination system, which, along with incomplete of political and economic system, had led to many problems of national education equality. With the gradual consolidation of the feudal ruling, when the problem of the disparity of educational cultural level among the nationalities and national education equality became the main obstacle of the feudal ruling in Yuan Dynasty, the rulers adopted tactics and mechanism of the imperial examination system, esteeming Confucianism and establishing schools to promote development of national education equality and to realize the formation of the unifying power in Yuan Dynasty. In the examination the rulers adopted many unfair “concession” policies for the Han scholars and favouring Mongol and other minority nationalities. But owing to the relative poor educational cultural level of the minorities, such decisions made by the rulers considering their own objective condition were with certain historical rationality. The fair and unbiased judgment should be made.
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    JIANGHAN ACADEMIC    2010, 29 (6): 99-102.  
    Abstract307)      PDF (1493KB)(125)       Save
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    The Realization of Appreciation of Beauty by the Telepathy between Heaven and Man ——On Zhuangzi's Ideology of “Immortal Man”
    XIAO Yun-en
    JIANGHAN ACADEMIC    2010, 29 (6): 103-107.  
    Abstract415)      PDF (1563KB)(320)       Save
    In Zhuangzi there are many places discussing “immortal man”. The basic characteristic is that the “immortal man” is a being who is the realization of appreciation of beauty by the telepathy between Heaven and Man. Tough no direct proof about “telepathy between Heaven and Man” can be found in Zhuangzi's philosophy, the ideology of the similar type can be observed here and there in Zhuangzi. The corresponding idea of Heaven and Man is vividly reflected by the nature that the “immortal man” can communicate and share the same feelings with the universe. The “immortal man” appears as a concrete perceptual image. The universe is based on “doctrine”, and “doctrine” is prosperous with universe. Thus, the “universe and doctrine” decides the logical origin of the formation of the image of “immortal man”. Achievement of the realm of “immortal man” would convert the abstract pursuit for the utmost problems as “be or not to be” into the process of the concrete perceptual experience. In doing so, the “immortal man” is created as a vivid image of appreciation of beauty, which is carefree and with perception.
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    JIANGHAN ACADEMIC    2010, 29 (6): 108-109.  
    Abstract245)      PDF (1567KB)(137)       Save
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