Table of Content

01 May 2005, Volume 24 Issue 5

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Orignal Article

Several Detailed Inquiries About Research of Ecological Aethetics

MA Chi

2005, 24(5):  11-15. 

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In the discussion of ecological beauty, not just should the harmonious getting along of man with nature be taken interet in. What is more important is the concern about the harmonious living together of man with the society and of perple between each other. As a later industrialized country, China should avoid committing the same errors of the western developed countries in their course of development of indastrialization.Neither should she solely fix her eyes on the ecological wisdom of the ancient Chinese.If ecological aesthetics is to be researched on the scientific principle, the change of human civilization forms should be concerned about and be looked after on the higher level of philosophy.

On Philosophic Base of Ecological Aesthetic :Intersubjectivity——A Arraignment of Practice Aesthetic

ZHANG Hai-rong

2005, 24(5):  16-20. 

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There is profound realistic causation of the contemporary human that the subjective philosophy veer the intersubjective philosophy. To be based on subjective philosophy the practice aesthetic is oppugned inevitably, when globality entironment have been jeopardizing. This paper unfurls the intersubjective philosophy of Hussesl、Heidegger and Martin Buber and indicates that intersubjective philosophy seeks dialogue whit nature and try for advancement and development in the system flourish of holistic anima and matter. Of course, it is based on ecological earths relation of balance and harmonious.K

Investigation of Word Choice of CCTV Feature-Programme Titles

XIE Xiao-ming, JIN Xin

2005, 24(5):  43-46. 

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The investigation of the CCTV feature-programme titles shows that the commonest ones are those of the modifier modified word structure in tetrad pattern, whose basic rhythmic unit is disyllabic foot. The wording of the titles is restricted by such multiple elements as ads, vogue expressions, paper-medium language, traditional culture, the types of columns, etc.

Rumination on the Countermeasures AgainstCPA Abbreviation Pronunciation

WANG Li

2005, 24(5):  50-53. 

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At present CPA(Chinese Phonetic Alphabet)abbreviations are often pronounced as English words.Obviously, this practice goes counter to the norm and is against reason. If the national nature of CPA pronunciation is to be maintained, indispensable policy intervention should be employed and necessary economic imput is needed for popularization. If such practice is taken as an accomplished fact and as an integration into international practice, then the CPA pronunciation is to be revised and it is to be submitted to the National People’s Congress for discussion. Only by doing so can the unification of the language fact, the language attitude of the Chinese community and the law and regulation of the country’s spoken and written language be achieved. What countermeasures are to be taken is yet to be decided after the cons and pros are weighed.

Historical Form and Evolutionary Path of Chinese Film Creation Culture

YANG Hong-ju

2005, 24(5):  82-85. 

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Chinese film started from the creation cultural form that favoured popular culture. After going through the temporary coexistence of propagendist and commercial standards, it turned into the monistic setup of pan-politicization. It is not until the new period when the art standard has gradually been established and the commercial tradition has arduously been restored, that the creation cultural setup has really been formed, in which polyelements exist side by side and mix together. The ups and downs of Chinese film creation in different periods tell us that only by keeping abreast with the time, taking as the basis the conformity with the social, historical and cultural tendency, and establishing the correct creation cultural consciousness from the angle of the epochal character, will creation be prosperous and can both the art and the commercial harvests be available.

Dancing in commercial Society——Analysis of Commercialized Trend in China’s Theme Films and the Art Films Since 1990’s

XUAN Ning

2005, 24(5):  86-90. 

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Since 1990’s there has emerged an obvious commercialized trend in the development of the theme and the art films, which is shown in the two aspects of production and operation, i.e. the commercialization in the choice of film subject, scenario layout, value judgement as well as in publication and screening. This trend is commonly caused by the big background of reform, openness and the market economy construction, the minor circumstance of the dispute about film nature in the field of filmology, and the causes in the theme and the art films themselves.

Tan Dun Music and Its Enlightenment on Chinese Musical Creation

LUO Ping-guan

2005, 24(5):  91-95. 

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Evolution in Chinese Explication of Islamic Reversional Thought

SUN Zhi-wei

2005, 24(5):  96-100. 

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Reversional thought is a definite line of the evolution of Islamic philosophy in China. One of the characteristics of the Chinese version of Islamic works at the end of the Ming and the beginning of the Qing Dynasties was unfolded around this statement. The different understanding and annalysis on the part of annotators of the Chinese version give an expression to some characteristics of the Sinicization of Islamic philosophy.

Content and Position of News Need

YAN Dao-cheng

2005, 24(5):  108-112. 

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All news-disseminating activities originate from a need of the news. The need of the news ncludes various needs, which are interrelated and form a united system that spurs the continuous development of the news dissemination and the journalistic enterprise. The need of the news has an important position in the recipients(readers, audience, viewers and net citizens) and it is the starting point and the end-result of all news activities.