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Table of Content
15 February 2016, Volume 35 Issue 1
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CONTENTS
2016, 35(1): 2-4.
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Form Interwoven with Content：Rereading Luo Fu’s Death of a Stone Cell
ZHENG Huiru
2016, 35(1): 5-12. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.001
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Luo Fu’s long poem Death of a Stone Cell has a unified form in general；it is composed of 64 verses which are made up of two 5-line stanzas each，640 lines in total. Rather than giving each verse a title，the poet numbers them from 1 to 64. The ending sentences are forceful，whilst the parallelism creates a sense of waiting or perching；commas are used to give emphasis or to combine two sentences to avoid an extra line；the stanzas are filled with epigrams；the form and content are mysteriously intermingled. The set form provides a home to the running and radiating thoughts and the changeable life experiences makes the fixed form less stiff. It is a poem that releases tension amidst intensive subjectivity and extensive sub-consciousness through a traditional form. The 10-line form of verses are not predefined to fit the content nor the vice versa；the entire poem is rather a crystallized product of ideas and images.
The Explosive and Creative Body：Self-Fashioning and Chinese Modernity—— A Reinterpretation of Guo Moruo’s Poem The Sky Dog
［USA］MI Jialu，（translation）ZHAO Fan
2016, 35(1): 13-21. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.002
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Speeches（recorded）at the Second“Ministry of Education Famous Column：Modern and Contemporary Poetry Research”Awarding Ceremony
YAN Lianjun，LI Haiying，ZHANG Taozhou，ZHENG Huiru，et al.
2016, 35(1): 22-32. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.003
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A Breakthrough from Predicament：Small Claims Procedure Reconstruction
WANG Maobing，WANG Peng
2016, 35(1): 33-40. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.004
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Empirical Research of Standardization of Death Penalty’s Application——Written Judgments of 126 Concluded Intentional Killing Death Penalty as Samples
ZHA Guofang
2016, 35(1): 41-49. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.005
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A Phantom of Development：The Contradiction Between the Rural Economic Growth and Environment Protection—— A Case Study of T Village’s Rural Tourism Industry Development
JIANG Pei
2016, 35(1): 50-57. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.006
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A Time Structure Correlation Study of the Chinese Stock Market and the International Market
LIU Jianfeng
2016, 35(1): 58-66. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.007
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Retrospect and Reflection on the Study of Closed Emotion——From the Perspective of Social Relations in Everyday Lives
XU Lv
2016, 35(1): 67-74. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.008
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On A Lai Novels’Regional Depiction and Modernity Reflection—— Empty Moutains： Heaven Fire as an Example
LIU Yan
2016, 35(1): 75-82. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.009
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Reconstruction of Regional Symbols and Folk Discourse—— Chi Li，Chen Yingsong，and Liu Xinglong as Examples
PENG Songqiao
2016, 35(1): 83-89. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.010
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Urban Approach and Identity Cognition in the Growth Discourse—— Lin Haiyin’s Beijing Narration and Her Identity Reconfirmation
LI Guoqian
2016, 35(1): 90-96. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.011
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During Taiwan’s nostalgia tide in the late 50’s of the 20th century，Lin Haiyin，in children’s perspective in My Memories of Old Beijing ，constructs a Beijing alienated from its politicalized historic context. In her later narratives，she once again experienced the dual enlightenment of old and modern Beijing，accomplished the mission of narrating growth in the process of confirming her self- identity，and reproduced Beijing’s metropolitan progress using her own proceedings. In the narration，the adult narrator occasionally appears and the voices of both the children and the adult are constantly trans-placed and even disrupted，presenting two different narrative attitudes. As a hidden adult narrator，Lin uses the nominal children’s naivety to connect a depoliticalized spiritual metropolitan and a polysemic hometown. This is inseparable with Taiwan’s context when the novel was written. Taiwan where she was living was both her hometown and a foreign land to her and inevitably her writings’depoliticalization had a dual nature. This phenomenon was common among her contemporary nostalgic writers；historic context was intentionally weakened in nostalgic narrations，different from writings of the time in the mainland.
The Origination and Destiny of Chuang Tzu’s Skepticism—— Investigation into the Thoughts of Lao Tzu and Chuang Tsu
SONG Degang
2016, 35(1): 97-104. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.012
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The answers to the three questions in The True Nature of All Things and to the four questions in The Philosopher -King all reveal Chuang Tzu’s skeptical tendency. Chuang Tzu’s skepticism does not appear from nothing but has a brewing process; it mainly develops from the“unknowing”theory of Lao Tzu，which gives the basic vocabulary，content，and paradigm and has already a preference of skepticism. Carrying forward the“unknowing”theory of Lao Tzu，Chuang Tzu develops this skeptical consciousness to its extreme，namely，the skepticism，and offers a home for his skepticism from“unknowing”to“genuine knowledge”. However，from then on，Chuang Tzu’s theory has found few to pass on，mainly because of its own defects.
A New Interpretation of“You Zi and Zi You”in Tan Gong—— On the Conflicts of Content and Form in the Pre-Qin Confucian Theory of Rites
YAN Ning
2016, 35(1): 105-112. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.013
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The increased moral degeneration since the Spring and Autumn Period reflected，to a degree，the conflicts of the ritual content (情) and form (文). The chapter Tan Gong in The Book of Rites recorded that You Zi intended to get rid of the ceremonial funeral proceedings as they were not emotional. Zi You refuted that these proceedings were necessary since they feature“微情”and“以故兴物”. The word“微”was most often interpreted as“to reduce or refrain”and“ 故”as“established formalities”. So these rituals were used to help people refrain from excessive sadness.This interpretation is inaccurate. Instead，“微”should be defined as“conceal”and“微情”as“emotion contained in rituals”. In the same way，“故”means“old or traditional rules or routines”，indicating the stability of conventions.This chapter reveals the disagreement among Confucian scholars over ritual content and form. Zi You opposes too much emphasis on content or righteousness but maintains that both the content and the form should be closely integrated. This thought can be traced in Hsun Tzu’s Rite Theory.
Research on Some Linguistic Issues Concerning International Immigrants in China
WANG Chunhui
2016, 35(1): 113-120. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.014
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Mother Language Security from the Perspective of Mother Language Awareness
FANG Xiaobing
2016, 35(1): 121-128. doi:
10.16388/j.cnki.cn42-1843/c.2016.01.015
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