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Table of Content
01 August 2008, Volume 27 Issue 4
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Orignal Article
Poetic Expertise of Deliberation: Silent Inquiry About Adrift LIfe
HUANG Liang
2008, 27(4): 5-10.
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Thought of Ecological Philosophy in Tagore’s Nature Outlook
LI Wen-bin
2008, 27(4): 39-43.
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Tagore’s conception of noatural life state, his advocation of being friendly to nature and his thought of harmonious unity between man and nature are quite in conformity with the thought of ecological philosophy. In solving recent practica issues, valuable elements can be drawn from the ideological wisdom of oriental nations represented by Tagore.
Sammary of Meanings of Emptied Expression “Thrice Not Knowing”
XIA Feng-mei
2008, 27(4): 50-52.
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Most lexicographical books define the meaning of “thrice not knowing” as “suddenly unexpectedly”. Such has flaws in incompleteness in meanings and low-calibre summary. As a matter of fact, after the Yuan dynasty the meanings of the expression began to become empty and emptied into an adverbial element, often used adverbially before a verbor verb element. In accordance with different context, it can be understood as : suddenly, all of a sudden; not knowing how, unknowingly, bewilderedly; rashly, stupidly; stealthily, secretly, quietly; straight, directly, etc.
Pragmatic Value of Chinese Passive Voice
ZHANG Yan-jun,ZHANG Xian-min
2008, 27(4): 53-57.
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Transcedence and Regression in Chinese Children’s Fantasy Novels
HE Wei-qing
2008, 27(4): 58-62.
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Images created by Chinese children’s fantasy novels are incompatible with the developing society in esthetics. It is a kind of artistic disassimilation.This paper elaborates two kinds of transcendence boundaries in the sense of nature and culture as well as transcedence and regression subjects which are contained in fairyland patterns such as the myth fable, the dreamland, historical, the daily life, in the fairytale, and points out a relations between authority and the individual in these kinds of patterns.
Four in One for Topic, Foreword, Note and Poem
XONG Hai-ying
2008, 27(4): 63-67.
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In the background of literati gatherings and their poetry recitals and replies using the same rhyme sequence, the Northern-Song-Dynasty poetry underwent a change in its external form and system. There appeared long topic, long foreword, self note in the capacity of explanation and narration to foreshadow, supplement and explain the content of the poem.The poets further pursued lyricism and artistry of the topic and foreward so as to make them complementary to the artistic conception of the poem. The causes for the formation of the four in one are: firstly it is the influence of the creative background of the close contact and frequent gathering of literati, secondly it is the result of the propagation consciousness on the part of the poets and lastly it reflects the influence from the style conception of “respecting the style” and “breaking with the style” of the Song people.
Argument That Popular Novelsin Ancient China Originated in Yuan Dynasty
LU Shi-hua
2008, 27(4): 72-76.
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Social Vertical Mobility in Early Modern England
LIU Gui-hua
2008, 27(4): 81-85.
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Analysis of Patriotic Nature of “Southeast Mutual Protection”
ZHAO Feng-wen
2008, 27(4): 92-95.
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“Southeast Mutual Protection” is a term referring to the local provincial leaders such as Liu Kunyi and Zhang Zhidong, who compromised with Britain and other imperialistic big powers due to their own interests and needs under the condition that the imperialistic big power reinforced their armed interference in and invaded China on the pretext of the Yihetuan Movenment. “Southeast Mutual Protection” superficially illegal and conflicted with the central government of the Qing Dynasty, but in spirit, it was consistent with the central governments foreign policy. “Southeast Mutual Protection”, to some extent, maintained the national sovereignty and the social stability in the Southern region of Yangtse River. “Southeast Mutual Protection” had a double nature:resistance in compromise and boycott in concession and showed a patriotism in its superficially conflicting policy.
Ideological Structure of Bodily Consumption and Mass Media
ZHOU Ping
2008, 27(4): 108-111.
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The paper attempts to explore the media manifestation of consumerism in China from micro perspective. Body consumption in consumerism is analyzed to look into the cultural psychology and ideology transfer process behind. In the process the significance of media lies in that the male discourse identity is established in body consumerism. The body culture aesthetics is prevalent in consumerism and gets legitimate, popularized and down to the earth. One thing to be alert: beautiful life with capital participation can be conducive to social control and can also go counter wise in the pseudo world created by symbols.