JIANGHAN ACADEMIC

Bian Zhilin’s Succession and Transcendence of New Moon Poetic Sect

ZHANG Ning

2010, 29(1): 21-27.

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Bian Zhilin’s poetic creation bears a close original relationship with the New Moon Poetic Sect.It can be exemplarily verified by substantial documentary data and works that Bian’s succession and transcendence of the Sect can be investigated in the 3 aspects of the musicalness of the poetic language,the metricalization of new poems and the new poems dramatization and novelisation.Where by his particular pursuit of poetics and his expression of exquisite poetic art are fully exhibited.

“Dharmadhãtu” and Establishment of Ontology of “Qing(Sentiments)” in A Dream of Red Chambers

GAO Yuan

2010, 29(1): 33-37.

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A Dream of Red Chambers establishes its ontology of “Qing”on the term of “Dharmadhãtu” which interweaves spirituality with the practice of “qing”. A Dream of Red Chambers makes it possible to integrate “qing” with “kong(sūnya)” in an ambiguous way, and it also highlights the purpose of vilifying the society and times; With the spread and development of “qing”, the “Dharmadhãtu” wisdom is embodied everywhere. Based on “Dharmadhãtu”, “qing” inevitably finds itself in distressing circumstances. At last, the purpose of A Dream of Red Chambers has been achieved on the horizon of desolation.

Reinterpretation of “To be,or not to be …”

WANG Yu-li

2010, 29(1): 44-50.

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The well-known monologue of “To be, or not to be …” by Hamlet can be interpreted as “To thrust myself forward,or to forbear and flinch…”.Such is possible on the ideological background of the cyclic theory and the theory of dramatic situation,with the monologic words deeply deliberated,the monologic situation restored and with the whole spiritual course and the character trait of the monologist understood.Considering the play as a whole,the combination of trascendence and defectiveness constitutes the kernel of Hamlet’s tragic character,which finally gives rise to his tragic fate.Still the above-mentioned translation of the beginning part of the monologue well enables people to sense metaphorically the transcendence and defectiveness of Hamlet’s tragic character.With the guidance of the two theories mentioned,and on full consideration of the situation the character is in,as well as his whole spiritual course,to show the inner life traits of the character through interpretation is a worthwhile attempt in dramatic translation.

Desire Aesthetics Literary Theory and Construction of Contemporary Literary Theory of China

ZHANG Yu-neng

2010, 29(1): 56-60.

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French thinker Baudrillard’s research on the nature of postmodernist society——consumption society shows that art and literature of the consumption society become pure symbol reproduction, and consumption society becomes a simulated hyperreal society by mass media, advancing the very realistic consumption cultural theoretical problem and that of human consumption desire. It provides a reference frame for us to construct Chinese-featured contemporary literary theory,which should pay close attention to consumption problem of daily life, and the problem of consumption desire to enasle mass culture to develop healthily, in order to guard against desirousness in daily life and effect the true aestheticalization in life.

Questioning Valdity of Li Ze-hou’s Aesthetics System

HAN Xiao-long

2010, 29(1): 61-67.

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In the 1950’s, Li Ze-hou successfully connected Hegel’s “idea” with Czerny Khrushchev’s “life” and realized Hegel’s materialismization. In the 1980’s, he materialized Kant’s idealist apriorism to meet the need of Marxist mainstream ideology, which was known as Li’s “grafting” theory. Li Ze-hou’s was the instrumentalist philosophy, which was the sturting point as well as the basic string that ran through his whole philosrphical ideological system.In the middle of 1980’s, he proposed subjective philosophy. Situation ontology, which he put forward later,further emphasized perception, chance and erotic theory. However, there existed an irreconcilable tension structure between “situation ontology” and “instrumentalism”. Therefore, instrumentatlism shackled his potentiality for academic development. In order to break through the awkward theoretical situation, Li Ze-hou consulted Marxist and Kant’s three criticisms, using Marx’s practical and historical concept to reform Kant’s apriorist theory of subject.He tried to change “apriorism” into “history”,but it wasn’t “the whole history” that Hegel defined. On the contrary, it was a concrete history with the practice of the human society. He waned to deny two philosophers at one time, which was uttarly impossible. As a result, Li’s “subjectivity” became a philosophic notion beyond the explanation of speech. Definitions of conception were always contradictive and interfered with each other. They looked precise but actually logically loose. His coinages were not a few stil they failed to cover the chaos of his internal system.

Literary estheticism and survival of contemporary human beings ——An argument on the meaning of the study of literary estheticism in new century

XIANG Hua-jiang, TAO Shui-ping

2010, 29(1): 68-72.

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Literary estheticism is a new discipline with vigor, arising from the research circle, with literary art as its research on concerns over the life meaning and values. This paper is an attempt to turn attention to the language context of the survival of contemporary human beings in the background of culture turning, as well as to summarize the theories and practical meaning of literary estheticism.

On Qiwu(No Respecter of Things) by Master Zhuang

LU Miao-jun

2010, 29(1): 86-90.

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On Qiwu is an important works reflecting Zhuangzi’s ideological confrontation with Logician ideas.Proposed in the article is the significant statement of “It’s preferable to explain that fingers are nonfingers by means of nonfingers to the explanation by means of fingers”,which helps to understand the different ideological theories between Zhuangzi and Gongsun Long.In the Period of the Warring States,when the trend of thoughts of “rectification of names”prevailed dominantly, a fairly meaningful subject was proposed in the article of “Land under heaven is no bigger than the tip of an animal’s autumn hair and Mount Taishan is small.”The proposition of “Heaven and earth coexist with me,and all things on earth and I blend into a harmonious whole.” which profoundly expresses Zhuangzi’s thought of “making ten thousand things flush” by the conception of “The way of Nature is a harmonious whole.” It’s an effective approach to explicate Book of Master Zhuang by combining the academic background of Zhuangzi’s thought with the language environment of the text.

Research on Shen Yiguan’s Thought of Zhuangzi Studies

HUANG Hong-bing

2010, 29(1): 91-95.

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Basically Shen Yiguan examined and judged Zhuangzi from the Confucian viewpoint as well as from social reality,which was a most conspicuous characteristic in his notation of Zhuangzi and which provided a new visual angle to explicate Zhuangzi in the history of Zhuangzi studies.Aiming at two major abuses of Zhuangzi,Shen paid attention to unifying inactivity with activity,and individual perception with social rationality,and with respect to the relationship between the latter,he furthe consummated the idealist philosophy of confucian school of the Song and Ming dynasties,admitting;promoting and enriching the reasonability of human thought material desire.These are of real and progressive significance.Shen’s Zhuang studies deserve some position in the history of Zhuang studies as well as in the ideological history of China.

Two Discussions About Subjectivity of Modern Chinese Ideology

LU Yong

2010, 29(1): 96-100.

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Li Zehou’s and Deng Zhenglai’s researches on subjectivity have an important influence on modern Chinese ideology.Of the two,Li’s subjectivity refers to that of human while Deng’s to that of China.The change from Li’s “subjective human”to Deng’s“subjective China” means the restoration of self-consciousness of modern Chinese ideology,which is of important enlightening significance in establishing Chinese social values and order.

Language Generation of A/H1N1 Flu

ZHOU Xiao-juan

2010, 29(1): 101-104.

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The static state of language is relative,while dynamic absolute. The actual term change from “swine flu”to“A /H1N1 influenza” shows that the language can be generated through the rectilinear “basis, amendment,generation ”process. It also undergoes the psychological cognitive process from speech to language.

Examples of New Title Forms

ZHAO Qi

2010, 29(1): 105-109.

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