[1] |
YAN Lianjun.
The Literary Construction of“Ethnic Brotherhood”Image in Early PRC:A Reinterpretation of Three Short Stories of the 1950s
[J]. JIANGHAN ACADEMIC, 2022, 41(2): 81-90.
|
[2] |
Carlos Rojas.
Monolingualism of the Other:Space,Language,and Literary Creation——Yan Liank, A Lai,Dung Kai-cheung, Ng Kim Chew, Xiaolu Guo as examples
[J]. JIANGHAN ACADEMIC, 2016, 35(3): 76-81.
|
[3] |
XIAO Min.
From Confinement to the Open——On Lin Bai Novels’ Consciousness of Geographical Space
[J]. JIANGHAN ACADEMIC, 2016, 35(3): 82-86.
|
[4] |
[USA]GONG Haomin.
The Tension of Viewing Eileen Chang:An Overview of Contemporary Scholarship on Eileen Chang,with an Review of Viewing Eileen Chang at Zero Degree
[J]. JIANGHAN ACADEMIC, 2016, 35(2): 13-20.
|
[5] |
LIU Yan.
On A Lai Novels’Regional Depiction and Modernity Reflection—— Empty Moutains: Heaven Fire as an Example
[J]. JIANGHAN ACADEMIC, 2016, 35(1): 75-82.
|
[6] |
PENG Songqiao.
Reconstruction of Regional Symbols and Folk Discourse—— Chi Li,Chen Yingsong,and Liu Xinglong as Examples
[J]. JIANGHAN ACADEMIC, 2016, 35(1): 83-89.
|
[7] |
LI Guoqian.
Urban Approach and Identity Cognition in the Growth Discourse—— Lin Haiyin’s Beijing Narration and Her Identity Reconfirmation
[J]. JIANGHAN ACADEMIC, 2016, 35(1): 90-96.
|
[8] |
XIAO Min.
Stylistic Awareness and Historical Writing to City Image in Novels by Fang Fang
[J]. JIANGHAN ACADEMIC, 2015, 34(2): 107-111.
|
[9] |
Zhou Jian-min,YANG Man-hua.
Dialect Writing Art of Liu Xinglong's Saint Tianmenkou
[J]. JIANGHAN ACADEMIC, 2014, 33(6): 91-99.
|
[10] |
.
[J]. JIANGHAN ACADEMIC, 2010, 29(3): 47-48.
|
[11] |
.
[J]. JIANGHAN ACADEMIC, 2009, 28(5): 23-24.
|
[12] |
.
[J]. JIANGHAN ACADEMIC, 2009, 28(5): 25-27.
|
[13] |
.
[J]. JIANGHAN ACADEMIC, 2009, 28(5): 28-29.
|
[14] |
.
[J]. JIANGHAN ACADEMIC, 2009, 28(5): 30-31.
|
[15] |
.
[J]. JIANGHAN ACADEMIC, 2009, 28(5): 32-33.
|