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GAO Cha-qing.
A Reflection on Lin Shu’s Collaborative Translating Mode
[J]. JIANGHAN ACADEMIC, 2015, 34(6): 96-103.
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[2] |
XIAO Min.
Language Strategy of Wuhan Genre Fictions and Wuhan Urban Culture Writing——Focusing on the Creation of Fang Fang
[J]. JIANGHAN ACADEMIC, 2013, 32(6): 121-125.
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[3] |
LIAN Han-sheng.
Imitation as a Special Type of Translation:on American Poet Robert Lowell's Imitations
[J]. JIANGHAN ACADEMIC, 2013, 32(4): 43-48.
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[4] |
ZHANG Zhen.
On Dialect's Effect to the Regional Culture Inheritance and Improvement——Taking the Wuhan Dialect TV Drama Urban Teahouse as an Example
[J]. JIANGHAN ACADEMIC, 2013, 32(2): 70-74.
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[5] |
ZHUANG Gui-cheng.
The Dialect Unconscious in Novels——Taking Chi Li's novel Her City as Text
[J]. JIANGHAN ACADEMIC, 2013, 32(2): 75-79.
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[J]. JIANGHAN ACADEMIC, 2012, 31(6): 24-27.
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[J]. JIANGHAN ACADEMIC, 2011, 30(3): 48-53.
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[8] |
LIN Ke.
Creativity and Imitation ——Queries into Creativity of Poetry Translation
[J]. JIANGHAN ACADEMIC, 2011, 30(1): 5-9.
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[9] |
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[J]. JIANGHAN ACADEMIC, 2011, 30(1): 10-12.
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[10] |
SHU Cai.
What is a Translated Poem? ——Taking Apollinarie’s Pont Mirabeau as an example
[J]. JIANGHAN ACADEMIC, 2011, 30(1): 13-20.
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[11] |
JIN Cui-ping.
A Brief Analysis of Private Discourse Penetrating from Literary Spheres to Popular Media
[J]. JIANGHAN ACADEMIC, 2010, 29(6): 58-62.
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[12] |
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[J]. JIANGHAN ACADEMIC, 2008, 27(4): 44-47.
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[13] |
WU Xiao-hong.
Man’s Sufferings and God’s Salvation
[J]. JIANGHAN ACADEMIC, 2007, 26(5): 63-66.
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[J]. JIANGHAN ACADEMIC, 2006, 25(3): 51-54.
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[J]. JIANGHAN ACADEMIC, 2006, 25(2): 44-49.
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