JIANGHAN ACADEMIC ›› 2015, Vol. 34 ›› Issue (5): 75-80.doi: 10.16388/j.cnki.cn42-1843/c.2015.05.010

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Self Presentation in“Objective”Poetry——On Ma Yongbo’s Poems

HAN Wei,CAO Rui   

  1. School of Literature,Harbin Normal University,Harbin 150080,China
  • Received:2015-07-14 Revised:2015-07-14 Online:2015-10-15 Published:2015-09-29

Abstract: Ma Yongbo’s poems are involved in the process of the post-modernization of the modern poetry,and also have practised the turn from“narration”to“telling”. His poems,with a kind of“objective”appear,often have a huge emotional power in latent behind the objective description,and make dual narrative of explicit and implicit between the real and surreal,thus practice his poetry ideal of pseudo narrative. Through double deviation of the style and emotion,the real and surreal,that highlights the subjectivity of the poet in the aspect of the recessive. In aspect of poem creation,the poet pursues the alienation effect. In form of the phenomenological reduction and fantastic cacophony,he keeps trying to make readers perceive the real truth. His poems focus on scene conversion,with a large amount of dialogue into the text,and even some narrative show the function of novel. At the same time,the poet is good at putting possibilities in the narrative,to make a kind of polyphony with language and scenario,thus to get the unique alienation effect. While in attempt to restore nature of poetic language,Ma Yongbo has completed the slipping down of poetic language and realized the disintegration of contemporary poetry language violence in the largest extent.

Key words: contemporary poetry, Ma Yongbo, objectivity, pseudo narrative, alienation, language violence

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