JIANGHAN ACADEMIC

Experimentalism and Anti-academism Complex in Contemporary Poems

XI Du

2011, 30(2): 5-7.

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Conflicts between academism and anti-academism in contemporary Chinese poems actually also originate in the U. S. A. The difference is that in the U. S. A. academism appeared first, and then came anti-academism, but in China, there came anti-academism first, and then academism fictitiously derived from anti-academism. In a sense, some academic spirits satisfy the needs of contemporary Chinese poems. I take it for granted that the spirits involve serious attitude towards the poetry, respect for the formality and art, and the continuous and intentional efforts to a certain classics. Of course, the spirits have nothing to do with academic identification and academism, which is not only the needs for the academism, but indispensable for the anti-academism.

“Ahead of Reality” and “Behind Reality” ——An Analysis of the Two Kinds of Value Theories about Realist Literature and Art

TANG Tie-hui

2011, 30(2): 20-25.

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Theories of “behind realism” and “ahead of realism” of the realist literature and art are tit-for-tat, but it is hard to comment which is right. The phenomenon is not recognized by all or is not “objective fact” proved by practice. Thus, all the ideas and theories about the literature and art cannot be regarded as truth and scientific “recognition” based on the objective facts, but are a kind of “advocate” of some notions originating in certain subjective standpoint. In a word, there exists no literary and artistic science which is applicable everywhere, but there does only the theory of literature and art about or for a certain group of people of a certain time.

Tendency of Flying Backward of the “Flying-man” ——A Creation Psychological Analysis of the “Post-80s Writers ”

WANG Tao

2011, 30(2): 39-42.

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The “post-80s writers” group has its own characteristic growth experience, social background and psychological experience. The “psychological extensive moratorium” results in many popular characteristics as: the demanding of close relationship, feeling wanton vent, etc which make them collectively be in a tendency of withdrawing back to child psychology in creation psychology.

On Shen Hongguang’s Probe into Plays Taking Wars as Historical Subject Matter

YU Qiang-wei

2011, 30(2): 43-47.

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Hubei playwright Shen Hongguang’s creation of the plays taking wars as historical subject matter is with gains and losses, different from the plays about daily life. Applying routing devices to constructing non-routine war history will weaken the acute conflict that the history is with. The sight limitation prevents Shen Hongguang from creating heroic characters from every aspect. And her plays are effective in the aspect of literature, but lack gripping stage effect in a state of ordinariness and indelicacy.

Predicament and Transcendence:A Brief Study of “the Trees” in American Classical Literary Works

ZENG Li,RENG Xiao-jin

2011, 30(2): 48-51.

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In American classical literary works, the trees’ images, such as Trees at Night written by Helene Johnson, Stopping by Woods on a Snowy Evening written by Robert Lee Frost, Leaves of Grass written by Whitman, The Scarlet Letter written by Hawthorne, Beloved written by Toni Morrison, have shown the rethinking and the transcending of predicament for human beings. After reading the “Dialogue Theory” written by a Russian literary theoretician, Mikhail Bakhtin, we have also sought the pluralistic concept of dialogue in different texts from the angle of intertextuality. The images of trees have given human beings infinite imagine and spiritual wishes in different works. And at the same time the writers of these texts are also elaborating the most essential anthropology proposition through the angle of philosophy.

Comparison between Introductions of Story-telling Scripts of Song-Yuan and Ming Dynasties

YANG Lin-xi

2011, 30(2): 57-60.

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The introductions of story-telling scripts are usually in the forms of poems, comments and short stories. With the transition of the story-telling scripts from Song-Yuan dynasties to Ming Dynasty, the literary forms are more completed and standardized, especially in the introductions, which strengthen the association of themselves with the texts, reduce voluntariness and emphasize sense of educating responsibility of the writers.

Discussion of the Use of Allusion in Su Shi’s Poems and its Stylistic Value

CAI Ling

2011, 30(2): 61-64.

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The use of allusions is the important characteristics in Chinese ancient poetry. The frequent use in the poetry is dubbed showing off. The use has become a method for the poets to show off their talents. And the allusions make poems lyrically colourful in connotation. The use of allusion has become the outstanding expression of “direct expression of poems”, i. e. the allusions in Su Shi’s poems have deep stylistic value for “direct expression of poems”.

Dominance and Anti-dominance ——Conflicts between Central Government of the Republic of China and Local Government on Hubei Government Bank

FENG Bing

2011, 30(2): 65-71.

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Hubei government bank was a local banking institute in large-scale in the later Qing Dynasty, which was established in 1896 by the province governor, Zhang Zhidong. During its thirty-year existence, it made great contribution to the local economic development. But after the Revolution of 1911, it fell down and in the end went bankrupt. After its bankruptcy, the central government entered into rivalry with the local government over its property. The central government declared twice that the bank was under state control, but the province government protested twice for the returning. The dispute ended with the winning of the province government, which showed the strong attitude of the local government and the conflict between the central and local governments, at the same time also demonstrated the complicated situation of the contemporary Chinese politics.

The Value of “Argument for the Rational Desire” Transformation in Modern China:An Examination with the Concept of “Argument for the Rational Desire” from Kang Youwei

LI Qiang-hua

2011, 30(2): 99-102.

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Kang raised the “natural desire and personal reason” to contradict the “natural reason and personal desire” of Confucian in Song Dynasty., in the new historical period to identify new interpretation of the “Argument for the Rational Desire”, it showed the values change in modern period. Kang Youwei confirmed the desire which were based on value change and modernization process. For values changing, Kang Youwei confirmed the rational desire because Confucianism in Song and Ming highly suppressed human's perceptional desire. Its modern significance could not be ignored; on the other hand, in reality, the industrialization and modernization of the progress of the hedonism provided the possibility of the infinite. Kang had his limitation to pursue the desire , and the infinite expansion of person’s desire destroyed the relationship of harmony between the man and nature, man and society, man and man, which caused the tension and conflict, the tension could not be dissolved by Kang Youwei’s “benevolence”.

The Cultural Resources of Starting Xiangjiang Review

WANG Zhi-wei

2011, 30(2): 103-107.

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Xiangjiang Review is a weekly magazine of commenting current affairs started by young Mao Zedong influenced by the contemporary bourgeois scholars, by using periodicals to discuss the politics raised by the progressive intellectuals of the New Culture Movement and by the historical linguistic context of the literary revolution. In contents, Xiangjiang Review firstly inherited the notion and tradition of being concerned about the country and the people and brightening the time, then held high the banners of democracy and science and criticized imperialism, feudalism by enlightening peoples witness and propagandizing revolution. In formality, Xiangjiang Review not only adopted vernacular, but also took the example of new method in editing New Youth and Weekly Review.

A Probe into Discipline Characteristics of Communication

FAN Long

2011, 30(2): 108-111.

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As a new discipline with wide background and multiplex resources, the discipline characteristics of communication are known for complexity, but under the influence of the rash, the communication field pays little attention to the basic problem of the direction for the scientific development of the discipline. But according to the situation, a probe could be carried out into four aspects as “new as well as traditional”, “interconnected as well as independent”, applicable as well as theoretical“and scientific as well as humane”, as to sketch the basic outline of discipline characteristics for communication and to emphasize the idea that the construction of communication theory should be promoted on the basis of clear discipline characteristics of communication.

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