Table of Content

01 August 2010, Volume 29 Issue 4

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Transmutation of Dark Poetics,or Beauty of Turning Into Butterfly

XI Du

2010, 29(4):  11-18. 

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So far as spirit,temperament and compositional consciousness are concerned,a clear and bright kind of consciousness played a leading role in female poem writing in the misty poetry period as represented by Shu Ting,which distinguished itself from that of the male poems of the same period.Against Shu Ting’s bright consciousness,Di Yongming,a new generation female poem writer,adranced a tit-for-tat dark consciousness by way of subversion.Women poets of the new generation are different from poets of the previous stage in both consciousness and writing skill.On the basis of what has been achieved by the women poets of the former generation and with an even more open gesture and a broader consciousness,they compose nutrients from domestic and foreign poems,incessantly hone and enhance their poetic skill through practice,and bring female poems into a new,solid and fruitful stage.The dark consciousness in Chi Lingyun’s poems has something to do with that in the poems by women poets of the 1980 generation,yet that has been reformed by Chi’s new self consciousness,wisdom of life and poetic skill,thus it establishes a corresponding relationship with existence as well as provides a new possibility to write female poems.

Study of Sinicismed Socialist Literature-and-Art Theory Has to Be Urgently Strengthened

XIONG Yuan-yi

2010, 29(4):  25-31. 

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It is imperative to pay supreme attention to and to make deep-going study of sinicismed socialist literature-and-art theory.The study should be conducted not by cutting out the objective object from theoretical dogma but by reaching scientific conclusion from the objective object itself.Sinicismed socialist literature-and-art theory should not only promote diversified development of literature and art in contemporary china but also lead the development on the basis of a correctly-guided orientation.

Works on Principles of Philosophy in Contemporary West:Their Types and Characteristics

ZHANG Fa

2010, 29(4):  56-63. 

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Works on principles of philosophy are mainly produced in answer to the need of teaching.They include the 3 types of branches of learning,relevant problems and the type of significance.They present 4 characteristics:firstly,meditation is practised with human nature as the basic point;secondly,detailed self inquiries are made;thirdly,there are rational critical and modest natures and lastly,there shows the position of God in philosophy.

“Rites” in Tao Te Ching by Laozi

XU Yan-long

2010, 29(4):  64-67. 

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Laozi said that rites were “the head of a riot,which slight faithfulness and sincerity”.Most scholars take it to be a purposeful opinion offered by Laozi in opposition to the proposition of “exercising self-restraint and return to rites” by Confucius.With the deepening of the research on Laozi and the excavation of the underground unearthed documents,some records from ancient documents become open to discussion.By reasonably defining the 3 denotative categories of Laozi's “rites”,Duke of Zhou's “rites” and the “rites” of confucius,the following conclusion can be readily made:Laozi expressed his thought,aiming at Duke of Zhou's “rites”.And Laozi and Confucius did not denote the same level in their definitions of “rites” categories,still they were in agreement in their inner spirit and they both critically reformed Zhou rites.

Confirmation of Chinese Cultural Key Words of “he(harmonious)·tong(consistent)”

ZHOU Guang-qing

2010, 29(4):  71-76. 

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As key intermediary signs of interaction between the Chinese nation and her existential space for creating culture,the formation and development of the Chinese cultural key words of “he” and “tong” reflect the evolutionary laws of both Chinese culture and Chinese vocabulary,and both have their inner necessity.Originally,as common words,they were pregnant with cultural seeds;later,on their way to key words,they cut across rough and rugged paths;and finally,as key words,they perform multiple functions.

Evolution of Cultural Sense in Time-Space Dimensions and Historical Current

MENG Xian-ping

2010, 29(4):  77-82. 

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Up to the present,people have had varied definitions as to cultural concepts,which are hard to be compatible.When taken contrastively,the objective factors of the varistion of cultural concepts are caused as a result of the change of time and space,territorial changes,advance of science and technology,cultural exchanges,etc.And the subjective factors are the varied main bodies formed by different countries and nations,and people in different districts,together with the variousness of cultural understanding.And the main cause for the difficulty in cultural definition is the lack of unified standard and clear-cut boundary as well as people’s restrictions in knowledge.The change of cultural concepts embodies people’s estimation of values,reflects people’s cultural mentality as well as the change of society.

Study of “You Sprite of a +Term of Person” Structure in Jin-Ping-Mei

WANG Lin,ZHENG Jian-ping

2010, 29(4):  83-86. 

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The grammaticle structure of “You sprite of a + term of person”,which is nowadays rarely seen,frequently appears in the vernacular novels of the Ming and Qing Dynasties as represented by Jin-Ping-Mei,and which is applied to expressing displeasure,rebuke or addressing someone.“You sprite of a” in the structure is extended in meaning from “rebuke”,and has a grammaticized nature.As it belongs to dialectical slang,popular in vernacular novels and suitable for the need of special language environment,this structure is pragmatically confined.

Study of “You Sprite of a +Term of Person” Structure in Jin-Ping-Mei

WANG Lin,ZHENG Jian-ping

2010, 29(4):  87-90. 

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The grammaticle structure of “You sprite of a + term of person”,which is nowadays rarely seen,frequently appears in the vernacular novels of the Ming and Qing Dynasties as represented by Jin-Ping-Mei ,and which is applied to expressing displeasure,rebuke or addressing someone.“You sprite of a” in the structure is extended in meaning from “rebuke”,and has a grammaticized nature.As it belongs to dialectical slang,popular in vernacular novels and suitable for the need of special language environment,this structure is pragmatically confined.

Qin Hui’s Thoughts of Capitulationism

ZHANG Yun-zheng

2010, 29(4):  94-98. 

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Diplomacy of the Song Dynasty is well-known for its failure,and the important reason is the “upsurge” of the capitulationist thoughts during the last years of the Northern Song Dynasty and the Southern Song Dynasty period.Qin Hui’s is most typical of the thougts. He advocated “Southerners return to the south and northerners return to the north” and that the enemy should be treated with all sincerity.In suing for peace,people should “suffer self aggrievement”,they should stand firmly and never balk at all cost.The source of his thoughts of capitulationism is that in the face of the strong enemy,he utterly lost his mettle;he was sheer egoistical and he catered to the emperor’s thoughts of capitulation with his “loyalty to the throne”; in order to consolidate his position, he did not hesitate to give up national interests;he took “preservation of the southeast” as a facade to conceal his actual purpose of dragging out an ignoble existence.Qin’s thoughts of capitulationism exert an important impact on the later period of the Southern Song Dynasty.

Morally-Educated Life in Ming and Qing Dynasties and Its Modern Enlightenment

XUE Li-li

2010, 29(4):  99-102. 

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Moral education in life has deep and thick soil in China,especially in the Ming and Qing Dynasties.“Knowledge and action should go hand in hand”,“heavenly principles are experienced and cognized everywhere”,etc.all cleary show that the whole process of moral education is vitally interrelated with life.This paper aims at sorting out and pondering over the content of moral education in life in the Ming and Qing Dynasties in the hope of seeking enlightenment as to the understanding about ideologically and politically educated life.