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Table of Content

    29 February 2012, Volume 31 Issue 1
    Orignal Article
    The Key Link in Modern Poetic Language:Metaphor & Metonymy
    CHEN Zhong-yi
    2012, 31(1):  5-11. 
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    The human life is saturated with metaphors, of which the most creative ones undoubtedly come from poems. The prominent practices of contemporary poetic language, by which the article means the metaphorical and metonymical linguistic events, benefit a lot from the structuralistic principle of Signifier/Signified and choosing/grouping. By casting light on the case of Jian Zheng-zhen, the famous Taiwan middle generation poet, this article tries to certificate those ideas as follows. Metaphor is founded on identity and analogy while metonymy is constructed on the base of adjacency and proximity. Besides, that both of them follow “the principle of reciprocity”, coordinated in a way of exchanging, interpenetrating and interacting, and participate in every poetic event. In the tribe of contemporary poetic language, the poets always operate on these intensive pivots mentioned above, in order to organize every member of this tribe.
    Anthology Operation and the Literary History Construction ofthe Third Generation Poems
    LUO Zhi-ting
    2012, 31(1):  12-17. 
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    Because of the unfavourable position,just like under the indifference of publications and the mainstream poetry world, the presure of political ideology,the 3rd Generation poets could only self-promote,fight for recognition.They began to arise,gather and propagate themselves through anthology operation since 1985. With joint efforts of the 3rd Generation poets and their prolocutors,the various anthologies of the 3rd Generation poems appeared,which gave continued encouragernent and support to the development of the 3rd Generation poems.The anthologies not only created a large poet group,put up the noble image of the 3rd Generation poem,but also established its position in the literature history,which affected the later heat to research the 3rd Generation poems and the narrative tendency that to overstating the position of the 3rd Generation Poems in the literature history.
    The Eco-ideal in Poetic Novel of Modern China
    WANG Hai-yan
    2012, 31(1):  23-27. 
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    In modern Chinese poetic novels, the spirits Taohuayuan has been constructed exquisitely. It not only contained the resistance to the linear history rules, but also included ecosystem ideal that merely be felt in ecological crisis. In most representative poetic novels written by Xiao Hong, Shen Congwen, Fei Ming and Wang Zengqi, the ecosystem ideal includes the nature esthetic of ecological, simple and saving conception, and ecological holism of person and nature mutually unify.
    Conflict and Integration of the Elegant & Popular Cultureon the Moral Sense of Destiny:Taking the StoryKao Cheng huang for Example
    BAO Shu-wang
    2012, 31(1):  37-42. 
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    Illusory nature of the moral sense of destiny makes it possible to the integration of the elegant & popular culture. The story Kao Cheng huang shows the conflict and integration of the elegant & popular culture on the moral sense of destiny with the features just like moral ontology, reward and punishment doctrine,with external master,and so on, which through the plots that like to select the Chenghuang by imperial examination,to give a 9 years vacation because of Confucion moral sense and nice level of moral theory.
    A Discussion to the Proofreading of the New Edition ofthe Spring and Autumn Annals Variorum
    FANG Tao
    2012, 31(1):  43-46. 
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    Du Yu’s the Spring and Autumn Annals Variorum is the most important work in the Zuo Zhuan study history,which most popular edition is the one published by Shanghai Ancient Books Publishing House. But there are some mistakes in the proofreading of the new edition,which mainly contains three:the old mistakes of the old version;punctuation errors;some text in Jingdian Shiwen being mixed into the variorum.
    Interpretation of the “Performatives” and the “Illocutionary Acts”——Taking the sketch lines for examples
    ZHENG Dao-jun
    2012, 31(1):  47-51. 
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    Sketch lines, as a kind of utterance, play the role of the performatives and convey different illocutionary acts. In terms of the speech act theory, sketch lines can be regarded as the two forms: the explicit performatives and the implicit performatives, and by which the sketch actors may perform such five sorts of illocutionary acts as “declarations”,“representatives”,“commissives”,“directives”and “expressives”,etc.
    Locke’s Property Rights Theory andIts Political Philosophical Significance
    ZHOU Ke
    2012, 31(1):  73-78. 
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    Modern Western political philosophy in 16-17th century often discussed the problem on freedom,equality and property,which was the result of the development of commodity economy and the rise of civil society in this period.As the representative figure of modern western political philosophy,Locke’s theory of property rights was always considered as the reflection of the new Bourgeois interest.From Locke’s point,property is not only the symbol of life and freedom,but also a role in protecting individual life and freedom.This established the basic rules of liberalism and started the transformation from liberalism to political economy, which influenced later classical political economy and socialism.
    The Conveying in Translation of the Implicit Beautyin Li Qingzhao’s Poem Zui Hua Yin
    YAN Zhao-hui
    2012, 31(1):  89-92. 
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    Li Qingzhao’s poem Zui Hua Yin is meaningful and euphemistic.The euphemistic expressions make it difficult to translate.In our appreciation or translation of the Zui Hua Yin, We should pay attention to the euphemistic expressions and the culture gene of the euphemistic beauty,accurately convey the aesthetic feature and the profound meaning of the original,to promote the healthy development of the culture exchange.
    On the Opposition & Unity in the Developing of Music Theme
    LONG Hui
    2012, 31(1):  103-107. 
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    Music theme’s developing styles contain repeat,expansion and contrast.The opposition & unity in the developing of music theme are that of repeat,expansion and contrast and that in their internal. Develping styles,just as repeat,expansion,are mainly to associate the theme and the following developing part in many music elements just like tone,rhythm,to unite the music style in all.Music theme’s developing styles are various,but their characteristics are based on the two principle:opposition & unity.
    The Production-Learning-Researching ProblemRelated to Chinese Furniture Design Industry
    ZHANG Ben
    2012, 31(1):  108-111. 
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    According to the trend of development of contemporary interior design,considering the modern art colleges’ research to the indoor furniture design teaching,comparing domestic and foreign furniture design teams’ development patterns and present situation,we should request originality to Chinese furniture design,and lead to the positive interaction between colleges and enterprises,and build up the more complete industrial chains of design and production.