[1] |
CHEN Zhongyi.
“Grading Coordinates”for the Acceptance of Modern Poetry
[J]. JIANGHAN ACADEMIC, 2017, 36(1): 51-58.
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[2] |
LIU Kui.
The Establishment of Poets’Day and the Birth New Poets
[J]. JIANGHAN ACADEMIC, 2017, 36(1): 59-66.
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[3] |
BAI Jie.
Boorist Poetry:Wandering in the Shadow of Beat Poetry
[J]. JIANGHAN ACADEMIC, 2016, 35(3): 59-67.
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[4] |
CHEN Pei-hao.
Southern Republic in the Fate Story——On Recent Poetry of Zhuzhu
[J]. JIANGHAN ACADEMIC, 2015, 34(1): 66-74.
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[5] |
ZHANG Wei-dong.
Historical Counterpoint in Contemporary Poetry——Taking poems of Xiao Kaiyu,Ouyang Jianghe and Zhang Zao for Example
[J]. JIANGHAN ACADEMIC, 2015, 34(1): 75-80.
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[6] |
WANG Ling-yun.
Evolution of Metaphor:Chinese New Poetry Art Clue
[J]. JIANGHAN ACADEMIC, 2014, 33(1): 51-61.
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[7] |
LIANG Xiao-jing.
Poet's Subjective Individual and Awareness of Comprehension of Xiao Kaiyu
[J]. JIANGHAN ACADEMIC, 2014, 33(1): 62-69.
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[8] |
XU Ting.
Reflections on the Poetry Popularization Movement in 20th Century
[J]. JIANGHAN ACADEMIC, 2013, 32(6): 25-33.
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[9] |
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[J]. JIANGHAN ACADEMIC, 2010, 29(1): 77-81.
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[10] |
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[J]. JIANGHAN ACADEMIC, 2009, 28(1): 12-17.
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[11] |
XONG Hai-ying.
Four in One for Topic, Foreword, Note and Poem
[J]. JIANGHAN ACADEMIC, 2008, 27(4): 63-67.
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[12] |
HUANG Xue-min.
Writing History of New Poetry: Possibility and Limitation
[J]. JIANGHAN ACADEMIC, 2006, 25(2): 11-14.
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[13] |
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[J]. JIANGHAN ACADEMIC, 2006, 25(2): 15-18.
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[14] |
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[J]. JIANGHAN ACADEMIC, 2006, 25(2): 19-24.
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