| [1] |
NIU Haoyu.
Exploration of Poetic Form and Art of Mythological Poetry：Starting from Song Lin’s“Return to the Cultural Context of Mother Tongue”in Biography of The Book of Mountains and Seas
[J]. JIANGHAN ACADEMIC, 2024, 43(6): 73-83.
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| [2] |
ZHOU Zan，ZHANG Jieyu，DUAN Congxue，LI Xinshi，CHEN Peihao，et al.
Transcription of Recording of Fourth“MOE Famous Column：Modern and Contemporary Poetic Research”Awards
Ceremony
[J]. JIANGHAN ACADEMIC, 2024, 43(5): 5-18.
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| [3] |
WANG Dongdong.
Haizi’s Poetry and Chinese Cultural Consciousness in the 1980s
[J]. JIANGHAN ACADEMIC, 2024, 43(5): 19-28.
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| [4] |
WU Hao，YAO Can.
Analysis of the Differences in New Poetry Education between Colleges and High Schools and Exploration of Integration Pathways
[J]. JIANGHAN ACADEMIC, 2024, 43(5): 29-34.
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| [5] |
WANG Weixu.
System and Voice of Things in May Fourth Literature：On Bing Xin’s Poetry of Things
[J]. JIANGHAN ACADEMIC, 2024, 43(5): 35-45.
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| [6] |
BING Ma.
Historical Narration and Presentation of Women’s Poetry in the 1980s and Reflections
[J]. JIANGHAN ACADEMIC, 2024, 43(4): 77-86.
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| [7] |
ZHAO Shuangjuan.
Marginal Narration of the Visualization Practice of New Poetry in the 21st Century
[J]. JIANGHAN ACADEMIC, 2024, 43(4): 87-95.
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| [8] |
HUANG Jiaguang.
Reconstructing Theogony to Meet the Gods：The Ancient-Modern and Sino-Western Disputes in Biography of The Book of Mountains and Seas
[J]. JIANGHAN ACADEMIC, 2024, 43(3): 64-70.
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| [9] |
LIU Yang.
The Denotation，Connotation，and Poetic Essence of“Absolute Distance”：Based on Li Jianwu’s Yumu Collection by Mr. Bian Zhilin
[J]. JIANGHAN ACADEMIC, 2024, 43(3): 71-78.
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| [10] |
CUI Chun.
“Outsiders within Ourselves”：On the“Double Outsideness”of Duoduo’s Overseas Poems
[J]. JIANGHAN ACADEMIC, 2024, 43(2): 91-97.
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| [11] |
LI Xinshi.
A Metaphorical Cognitive Interpretation of Causes of Obscurity in Modern Poetry
[J]. JIANGHAN ACADEMIC, 2024, 43(2): 98-108.
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| [12] |
WANG Dongdong，YI Hang，JIANG Tao，XI Du，ZHANG Taozhou，et al.
Memoir of Forum Session“Cultural Trends of Contemporary Poetry：Individuality and Publicity”
[J]. JIANGHAN ACADEMIC, 2024, 43(1): 69-82.
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| [13] |
XU Yongning.
“Three Rises”and Three Directions of the Modernity of Theory on Misty Poetry
[J]. JIANGHAN ACADEMIC, 2024, 43(1): 83-90.
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| [14] |
NONG Yuhong，LI Maojun.
Overlapping Pattern，Local Vocabulary，and Ethnic Grammar：Zhuang Dialect and Wei Qilin’s“The Clothes of Hundred Birds”
[J]. JIANGHAN ACADEMIC, 2024, 43(1): 91-97.
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| [15] |
CHEN Zhongyi.
Modern Poetics：The“Isotope”Effect of Text
[J]. JIANGHAN ACADEMIC, 2023, 42(6): 89-98.
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