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ZHOU Zan,ZHANG Jieyu,DUAN Congxue,LI Xinshi,CHEN Peihao,et al.
Transcription of Recording of Fourth“MOE Famous Column:Modern and Contemporary Poetic Research”Awards
Ceremony
[J]. JIANGHAN ACADEMIC, 2024, 43(5): 5-18.
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[2] |
WANG Dongdong.
Haizi’s Poetry and Chinese Cultural Consciousness in the 1980s
[J]. JIANGHAN ACADEMIC, 2024, 43(5): 19-28.
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[3] |
WU Hao,YAO Can.
Analysis of the Differences in New Poetry Education between Colleges and High Schools and Exploration of Integration Pathways
[J]. JIANGHAN ACADEMIC, 2024, 43(5): 29-34.
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[4] |
WANG Weixu.
System and Voice of Things in May Fourth Literature:On Bing Xin’s Poetry of Things
[J]. JIANGHAN ACADEMIC, 2024, 43(5): 35-45.
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[5] |
BING Ma.
Historical Narration and Presentation of Women’s Poetry in the 1980s and Reflections
[J]. JIANGHAN ACADEMIC, 2024, 43(4): 77-86.
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[6] |
ZHAO Shuangjuan.
Marginal Narration of the Visualization Practice of New Poetry in the 21st Century
[J]. JIANGHAN ACADEMIC, 2024, 43(4): 87-95.
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[7] |
HUANG Jiaguang.
Reconstructing Theogony to Meet the Gods:The Ancient-Modern and Sino-Western Disputes in Biography of The Book of Mountains and Seas
[J]. JIANGHAN ACADEMIC, 2024, 43(3): 64-70.
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[8] |
LIU Yang.
The Denotation,Connotation,and Poetic Essence of“Absolute Distance”:Based on Li Jianwu’s Yumu Collection by Mr. Bian Zhilin
[J]. JIANGHAN ACADEMIC, 2024, 43(3): 71-78.
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[9] |
CUI Chun.
“Outsiders within Ourselves”:On the“Double Outsideness”of Duoduo’s Overseas Poems
[J]. JIANGHAN ACADEMIC, 2024, 43(2): 91-97.
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[10] |
LI Xinshi.
A Metaphorical Cognitive Interpretation of Causes of Obscurity in Modern Poetry
[J]. JIANGHAN ACADEMIC, 2024, 43(2): 98-108.
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[11] |
WANG Dongdong,YI Hang,JIANG Tao,XI Du,ZHANG Taozhou,et al.
Memoir of Forum Session“Cultural Trends of Contemporary Poetry:Individuality and Publicity”
[J]. JIANGHAN ACADEMIC, 2024, 43(1): 69-82.
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[12] |
XU Yongning.
“Three Rises”and Three Directions of the Modernity of Theory on Misty Poetry
[J]. JIANGHAN ACADEMIC, 2024, 43(1): 83-90.
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[13] |
NONG Yuhong,LI Maojun.
Overlapping Pattern,Local Vocabulary,and Ethnic Grammar:Zhuang Dialect and Wei Qilin’s“The Clothes of Hundred Birds”
[J]. JIANGHAN ACADEMIC, 2024, 43(1): 91-97.
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[14] |
CHEN Zhongyi.
Modern Poetics:The“Isotope”Effect of Text
[J]. JIANGHAN ACADEMIC, 2023, 42(6): 89-98.
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[15] |
WAN Chong.
The Wailing Chant of“Inner Life”:The Late Style of Changyao’s Poetry
[J]. JIANGHAN ACADEMIC, 2023, 42(6): 99-107.
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