| [1] |
PENG Yinglong.
“Integrating the East and the West”：A Case of the Sources of Zhang Zao’s Poetry
[J]. JIANGHAN ACADEMIC, 2021, 40(2): 53-61.
|
| [2] |
TIAN Yuan.
Image of Rangers，Feminity，and Meditation on Death：Reader Criticism and the Decadent Tendency of Poems by Chinese Symbolist Poets
[J]. JIANGHAN ACADEMIC, 2021, 40(2): 62-71.
|
| [3] |
ZHANG Jieyu.
“I’m Both inside and outside New Poetry”—Reevaluation of the Changes of Wen Yiduo’s Poetic Ideas and Others
[J]. JIANGHAN ACADEMIC, 2020, 39(5): 50-57.
|
| [4] |
MIAO Huilian，ZHANG Qiang.
Dominant and Recessive Factors in the Musicality of Xu Zhimo’s Poetry
[J]. JIANGHAN ACADEMIC, 2020, 39(2): 54-61.
|
| [5] |
PAN Lingjian.
On the Loop Structure and Momentary Art of Octavio Paz’s Long Poem Piedra de sol
[J]. JIANGHAN ACADEMIC, 2020, 39(2): 62-68.
|
| [6] |
MI Jialu，translated by ZHAO Fan.
The Turbulent Decadence：Somatic Pathology and Infernal Cave in Li Jinfa’s Poetry
[J]. JIANGHAN ACADEMIC, 2019, 38(4): 91-106.
|
| [7] |
YANG Xiaobin.
Symbolic Phantom and Labyrinth Theater：Urban Illusions in Chen Dongdong’s Poetry
[J]. JIANGHAN ACADEMIC, 2019, 38(1): 54-61.
|
| [8] |
Institute of Foreign Literature,Chinese Academy of Social Sciences,Beijing 100732,China.
Life Multiplication:One Original Text and Five Target Texts
[J]. JIANGHAN ACADEMIC, 2010, 29(3): 16-19.
|
