JIANGHAN ACADEMIC ›› 2010, Vol. 29 ›› Issue (4): 11-18.
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XI Du
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Abstract: So far as spirit,temperament and compositional consciousness are concerned,a clear and bright kind of consciousness played a leading role in female poem writing in the misty poetry period as represented by Shu Ting,which distinguished itself from that of the male poems of the same period.Against Shu Ting’s bright consciousness,Di Yongming,a new generation female poem writer,adranced a tit-for-tat dark consciousness by way of subversion.Women poets of the new generation are different from poets of the previous stage in both consciousness and writing skill.On the basis of what has been achieved by the women poets of the former generation and with an even more open gesture and a broader consciousness,they compose nutrients from domestic and foreign poems,incessantly hone and enhance their poetic skill through practice,and bring female poems into a new,solid and fruitful stage.The dark consciousness in Chi Lingyun’s poems has something to do with that in the poems by women poets of the 1980 generation,yet that has been reformed by Chi’s new self consciousness,wisdom of life and poetic skill,thus it establishes a corresponding relationship with existence as well as provides a new possibility to write female poems.
Key words: female poems, poetic consciousness, Di Yongming, Chi Lingyun, dark
CLC Number:
I207.25
XI Du. Transmutation of Dark Poetics,or Beauty of Turning Into Butterfly[J]. JIANGHAN ACADEMIC, 2010, 29(4): 11-18.
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https://qks.jhun.edu.cn/jhxs/EN/Y2010/V29/I4/11