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LIU Shijian.
The Aesthetic Characteristics of Southern Song Dynasty Notes and Cultural Contributors
[J]. JIANGHAN ACADEMIC, 2018, 37(1): 80-86.
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CHA Zhi-gao.
Research on the Origin Story of Becoming Immortal in LIAO ZHAI ZHI YI
[J]. JIANGHAN ACADEMIC, 2014, 33(2): 125-128.
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CHEN Zhi-wei.
Research for the Classification of the Novelsin Ming and Qing Dynasties
[J]. JIANGHAN ACADEMIC, 2012, 31(6): 53-57.
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BAO Shu-wang.
Conflict and Integration of the Elegant & Popular Cultureon the Moral Sense of Destiny:Taking the StoryKao Cheng huang for Example
[J]. JIANGHAN ACADEMIC, 2012, 31(1): 37-42.
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[J]. JIANGHAN ACADEMIC, 2011, 30(4): 99-102.
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[J]. JIANGHAN ACADEMIC, 2011, 30(3): 59-61.
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YANG Lin-xi.
Comparison between Introductions of Story-telling Scripts of Song-Yuan and Ming Dynasties
[J]. JIANGHAN ACADEMIC, 2011, 30(2): 57-60.
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HU Yi-cheng.
The Preface by Chen Yuanzhi of Pilgrimage to the West Was Found out to be Written by Yan Xiyan’s Eldest Disciple, Shu Benzhu
[J]. JIANGHAN ACADEMIC, 2011, 30(1): 43-49.
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XU Yong-qiang, LI Rui-qin.
A Brief Comment on the Comparative Research in Recent Thirty Years about Romance of the Three Kingdoms & Au Men Are Brothers(Shui Hu zhuan)
[J]. JIANGHAN ACADEMIC, 2010, 29(6): 47-52.
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LIU Ming.
The Author of Jin Ping Mei Could not be Li Kaixian or Jia Sanjin
[J]. JIANGHAN ACADEMIC, 2010, 29(5): 48-50.
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[J]. JIANGHAN ACADEMIC, 2010, 29(4): 46-50.
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GAO Yuan.
“Dharmadhãtu” and Establishment of Ontology of “Qing(Sentiments)” in A Dream of Red Chambers
[J]. JIANGHAN ACADEMIC, 2010, 29(1): 33-37.
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[J]. JIANGHAN ACADEMIC, 2008, 27(3): 50-52.
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[J]. JIANGHAN ACADEMIC, 2006, 25(1): 93-98.
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[J]. JIANGHAN ACADEMIC, 2005, 24(6): 49-55.
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