| [1] |
CUI Chun.
“Outsiders within Ourselves”：On the“Double Outsideness”of Duoduo’s Overseas Poems
[J]. JIANGHAN ACADEMIC, 2024, 43(2): 91-97.
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| [2] |
LI Xinshi.
A Metaphorical Cognitive Interpretation of Causes of Obscurity in Modern Poetry
[J]. JIANGHAN ACADEMIC, 2024, 43(2): 98-108.
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| [3] |
WANG Dongdong，YI Hang，JIANG Tao，XI Du，ZHANG Taozhou，et al.
Memoir of Forum Session“Cultural Trends of Contemporary Poetry：Individuality and Publicity”
[J]. JIANGHAN ACADEMIC, 2024, 43(1): 69-82.
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| [4] |
XU Yongning.
“Three Rises”and Three Directions of the Modernity of Theory on Misty Poetry
[J]. JIANGHAN ACADEMIC, 2024, 43(1): 83-90.
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| [5] |
NONG Yuhong，LI Maojun.
Overlapping Pattern，Local Vocabulary，and Ethnic Grammar：Zhuang Dialect and Wei Qilin’s“The Clothes of Hundred Birds”
[J]. JIANGHAN ACADEMIC, 2024, 43(1): 91-97.
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| [6] |
CHEN Zhongyi.
Modern Poetics：The“Isotope”Effect of Text
[J]. JIANGHAN ACADEMIC, 2023, 42(6): 89-98.
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| [7] |
WAN Chong.
The Wailing Chant of“Inner Life”：The Late Style of Changyao’s Poetry
[J]. JIANGHAN ACADEMIC, 2023, 42(6): 99-107.
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| [8] |
SEN Zi.
Formation of Xu Yunuo’s Poetics under the Influence of Contemporaries
[J]. JIANGHAN ACADEMIC, 2023, 42(5): 55-94.
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| [9] |
XIONG Wei.
“History of Poetic Form”and Evolution of Lin Geng’s Idea of New Poetry
[J]. JIANGHAN ACADEMIC, 2023, 42(5): 65-73.
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| [10] |
ZHANG Kaicheng.
Theoretical Construction of Modern Chinese Poetics from Perspective of Spread and Acceptance：Review of Research Series on Spread and Acceptance of Modern Chinese Poetry
[J]. JIANGHAN ACADEMIC, 2023, 42(5): 74-80.
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| [11] |
XIANG Tianyuan ，ZHOU Mengyu.
The Oral Attributes of Modern Chinese Language and the Corporeal Property of Chinese New Poetry
[J]. JIANGHAN ACADEMIC, 2023, 42(4): 65-74.
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| [12] |
CHEN Xialin.
Literary Community：Presupposition of the New Poetry Tradition of Modern Chinese Poetry
[J]. JIANGHAN ACADEMIC, 2023, 42(4): 75-83.
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| [13] |
WU Hongliang.
Guo Xiaochuan as“Theater Fan”and His Pursuit of Dramatizing Poetry
[J]. JIANGHAN ACADEMIC, 2023, 42(3): 54-62.
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| [14] |
BAI Jie.
The Self-moulding of Nine-leaf School in the Main Tide of Realism：Centering on Nine-leaf Collection and Eightleaf Collection
[J]. JIANGHAN ACADEMIC, 2023, 42(3): 63-71.
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| [15] |
ZHANG Kaicheng.
Boundary of Concepts and Re-exploration of Classics：Research Review of China’s New Poetry between 2020 and 2022
[J]. JIANGHAN ACADEMIC, 2023, 42(2): 52-59.
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