| [1] |
BAI Jie.
The Self-moulding of Nine-leaf School in the Main Tide of Realism：Centering on Nine-leaf Collection and Eightleaf Collection
[J]. JIANGHAN ACADEMIC, 2023, 42(3): 63-71.
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| [2] |
ZHANG Kaicheng.
Boundary of Concepts and Re-exploration of Classics：Research Review of China’s New Poetry between 2020 and 2022
[J]. JIANGHAN ACADEMIC, 2023, 42(2): 52-59.
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| [3] |
QIAN Renren.
Modern Chinese Function Words and Cadence Feature of Guo Moruo’s The Goddesses
[J]. JIANGHAN ACADEMIC, 2023, 42(2): 60-71.
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| [4] |
XIA Zhi，JING Wendong.
Peeper and Storyteller：Analysis of Zhu Zhu’s Poetic Trilogy Qinghe County
[J]. JIANGHAN ACADEMIC, 2023, 42(1): 43-51.
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| [5] |
ZHU Zhoubin.
The Lexicalization Interest in Ouyang Jianghe’s Poety：Distance Kept by the Use of Words
[J]. JIANGHAN ACADEMIC, 2023, 42(1): 52-59.
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| [6] |
GUO Haiyu.
Methods of No Fixation：The Poetic Variation of Narrators in Modern Chinese Poetry
[J]. JIANGHAN ACADEMIC, 2022, 41(6): 55-64.
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| [7] |
LI Haiying.
The Writing Capability and Morning Ethics of Modern Family Elegy：Focusing on Zhang Shuguang’s Poems
[J]. JIANGHAN ACADEMIC, 2022, 41(6): 65-74.
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| [8] |
WANG Dongdong.
China’s Modernism as Democratic Culture：Rediscovering Yuan Kejia’s Theory on Modernization of New Poetry
[J]. JIANGHAN ACADEMIC, 2022, 41(5): 84-91.
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| [9] |
FENG Yi，ZHANG Fan.
Against Naming，Construction of Pluralism through Voice and Meaning：A Focus on Chinese Studies of American Language Poetry in the Past Three Decades
[J]. JIANGHAN ACADEMIC, 2022, 41(5): 92-101.
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| [10] |
QIAN Wenliang，HUANG Yilan.
Poetic Thinking and Witchcraft Thinking：Witchcraft Gaming in Xiao‘an’s Poems
[J]. JIANGHAN ACADEMIC, 2022, 41(4): 53-58.
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| [11] |
MA Gui.
Pleasure，Endurance，or Responsibility：Body Ethics in Contemporary Poetry
[J]. JIANGHAN ACADEMIC, 2022, 41(4): 59-66.
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| [12] |
ZHOU Zan.
“Anecdote of the Jar”：Clue to the Development of Modern Poetic Criticism in the Past Four Decades
[J]. JIANGHAN ACADEMIC, 2022, 41(3): 36-46.
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| [13] |
DUAN Congxue.
Humiliation，Suffering and Poet Ai Qing’s Self-awareness and National Identity
[J]. JIANGHAN ACADEMIC, 2022, 41(3): 47-55.
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| [14] |
LIU Yan，ZHOU Anxin.
A Structural-Deconstructural Approach：Spatio-Temporal Images and Topological Thinking in The Poet and Death
[J]. JIANGHAN ACADEMIC, 2022, 41(2): 63-71.
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| [15] |
LI Zhangbin，CHEN Jingyan.
Bian Zhilin’s Theory on the Metrical Pattern of New Poetry in the 1950s
[J]. JIANGHAN ACADEMIC, 2022, 41(2): 72-80.
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