JIANGHAN ACADEMIC

Misreading Intentionally and Unintentionally

YE Lu

2005, 24(3): 5-7.

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Whether the reader is on purpose or accidentally “scores a lucky hit”,“misreading”in reading poems refers to the nonconformity of the reader with the authoras to the understanding of the original poetic quality. The occurrence of “misreading” results from the fact that the reads from the poem his own life and emotional experience, and by association enriches and adds to the author’s connotation of the poetic quality. It can be put this way that misreading is hard to be avoided and is perfectly logical and reasonable, But it should take place in an at-will state rather than out of ignorance or conscious bias.

Readers’ Style of Reading in “Anthology”

JIANG Tao

2005, 24(3): 8-11.

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Analysis of Causes of Intended“Satire” Turning Out Contrarily to Be “Advice” in Han fu

HU Da-lei

2005, 24(3): 18-24.

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The causes of intended“satire” turning out contrarily to be “advice” in Han fu a poetic prose of the Han Dynasty are as follows: 1. The narration of extravagance and luxury had long had its literary tradition. 2. What was intended to be “satirized” had its aspect able to be eulogized, and what Han fu “satirically remonstrated about” was not extravagance and luxury but ought to be moral standard. the feature of the style of fu called for such boast as “no one could add further”.4. The composing purpose of fu was thought the “eulogize”. 5. Criticizers of the Han Dynasty took the fu’s by Qu Yuan and poetic criticism as the standard in criticizing Han fu, which turned to “eulogy” thereafter.

Cause of Elusive Ending for Revived Marriage

LI Qiu-ju

2005, 24(3): 25-28.

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Guo Moruo and “Time Myth”

LIU Yue-tan

2005, 24(3): 29-32.

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Perch of Poetic Quality

PENG Song-qiao

2005, 24(3): 42-46.

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Viewed from the perspective of the relation between human beings and ecological environment,the aesthetic pursuit is undoubtedlyimplied in ancient Chinese geomantic conception of housing construction.This can clearly be felt in such building structures as the aerodynamic layout, the flexion and roundabout, the feeling-exciting harmony, and the self-consistence whether simple and natural or blending and compromising. This ecological aestheticpursuit is closely related with the aesthetic thought of the oriental nations.It is a product of the combination of the ecological wisdom of the ancient Chine

Wolf Totem in Visual Field of Ecological Criticism

ZHAO Wei

2005, 24(3): 47-50.

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When the discussion evoked by Wolf Totem focuses mainly on the nature of a nation, the value of ecologicalist text of the work becomes ever prominent, whenviewed from the perspective of ecological criticism. As an ecological literary work, the time significance of Wolf Totem can further be seen by analysing thoroughly the group of characters in the work and exploring deep-goingly the naive ecological belief and the grassland-modes ecological reason.

Reform of Cultural System in Terms of Trade Difference

FU Cai-wu

2005, 24(3): 51-57.

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The reform of cultural system can not be deepened devoid of the support of the strategy for reform development. The difference among different cultural trades is virtually the centralized reflexion of their characteristics. The logical star ting point to work out the strategy for reform development of cultural system is to start from the reality and the characteristics of the trades.

Jia Yi’s Thinking of Flexible Management

YAN Xiu-min

2005, 24(3): 58-60.

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Rhetorical Function of English Elements in Written Chinese

HE Hong-feng, ZHOU Tong-yan

2005, 24(3): 61-64.

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P Analysis of Presupposition in Court Examination

LU Shao-bing

2005, 24(3): 68-70.

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Random Discussion of Shi Tao’s Painting

XIA Qi-cong

2005, 24(3): 71-72.

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As Shi Tao thought that “brush and ink should develop and change with the times”, his paintings thus displayed the creative spirit; however, some of his laterworks turned out to be somewhat flimsy and impulsive.

Liang Shuming’s Thought on Democracy

ZHAO Dong-hui

2005, 24(3): 73-77.

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As a defender and advocator of traditional culture, Liang Shuming didn’t payno attention to the value of democracy for all his safeguard for traditional culture. What he negated was only the mode of Western democratic politics, andhe definitely approved of the universal value of democracy on the premise and the fact that traditional culture be well preserved. The mode of “the majoritypolitics of the rule by man” put forward by him was his compromise between themerits of the Chinese and the Western culture. While such a mode has its bornlogical contradiction, his attitude and his way of thinking in structuring themode are worthy of our reference.

China’s Contribution of War of Resistance Against Japan to World Victory of Anti-Fascist War

XU Ling

2005, 24(3): 78-80.

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Doctrine of Eight Parts of Speech: History and Status Quo

LU Zhong-ti, ZHU Sheng-jiao

2005, 24(3): 81-85.

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