War Politics and 1940s Chinese Poetry

Abstract

Abstract: War politics impacts deeply on 1940s Chinese poetry. It promotes the peculiar poetic prosperity due to that poetry is a literary carrier which most fully expresses human passion and whose spiritual temperament is in natural conformity with people’s war passion and their romantic phantoms.What is more important is the fact that some agitating features of poetry have special realistic significance during war time. War politics also exerts direct influence on the poetic development of form and style and has, in depth, an effect on the imago selection by poets. It is not altogether fitting and proper to totally negate the impact of war politics on 1940s poetry in a simple way. People should historically regard the choice by poets and the attribute of poems in special political times.

Key words: war, political culture, poetry

CLC Number:

I052

HE Zhong-ming. War Politics and 1940s Chinese Poetry[J]. JIANGHAN ACADEMIC, 2007, 26(1): 5-8.

[1]	WANG Dongdong. China’s Modernism as Democratic Culture：Rediscovering Yuan Kejia’s Theory on Modernization of New Poetry [J]. JIANGHAN ACADEMIC, 2022, 41(5): 84-91.
[2]	FENG Yi，ZHANG Fan. Against Naming，Construction of Pluralism through Voice and Meaning：A Focus on Chinese Studies of American Language Poetry in the Past Three Decades [J]. JIANGHAN ACADEMIC, 2022, 41(5): 92-101.
[3]	CAI Wei. The“General”That Makes for the“Minor”：Ravikovitch’s Hebrew Poetry in the Light of“Becoming”Theory [J]. JIANGHAN ACADEMIC, 2022, 41(1): 83-91.
[4]	LU Xiaowen. Migration and Identity：On the Sense of Home in Hong Ying’s Diaspora Poems [J]. JIANGHAN ACADEMIC, 2021, 40(4): 63-72.
[5]	YIN Xiaorong，LI Na. Focus on the Research Methodology of Family Language Planning in the Past 20 Years [J]. JIANGHAN ACADEMIC, 2021, 40(4): 106-115.
[6]	YANG Xiaobin. Carnival and Play：Taiwan Poet Guan Guan’s Language Comedy [J]. JIANGHAN ACADEMIC, 2021, 40(3): 63-73.
[7]	TIAN Yuan. Image of Rangers，Feminity，and Meditation on Death：Reader Criticism and the Decadent Tendency of Poems by Chinese Symbolist Poets [J]. JIANGHAN ACADEMIC, 2021, 40(2): 62-71.
[8]	ZHANG Kaicheng. “History of New Poetry”as an Approach and a Research Paradigm：A Review of New Poetry Research in China in 2019 [J]. JIANGHAN ACADEMIC, 2020, 39(3): 5-12.
[9]	HUANG Manyuan. In Favor of the New or the Old：Lianghu Academy Students’Situational Observations and Responses—— From the Perspective of the Ecology of Academy Education of the Time [J]. JIANGHAN ACADEMIC, 2019, 38(6): 72-81.
[10]	WU Hao. “Towards Future”：the Cultural Attitude of Poets in the 1980s - a Case Study of Luo Yihe [J]. JIANGHAN ACADEMIC, 2019, 38(2): 44-51.
[11]	CHEN Peihao. An Open Field of Vision to Scrutinize the“Modernity”of Poetry - on“Modern Poetry Study”Column’s Construction of Poetry’s“Modernity” [J]. JIANGHAN ACADEMIC, 2018, 37(6): 68-74.
[12]	LIU Kui. A Study of the Relationship Between Ji Xian and the Hong Kong Poetic Circle [J]. JIANGHAN ACADEMIC, 2018, 37(5): 62-69.
[13]	CHEN Dawei. The Xinjiang Mode of Pastoral Poetry：Renaming of the Contemporary New Frontier Poetry [J]. JIANGHAN ACADEMIC, 2018, 37(4): 40-51.
[14]	JIA Xinxin. Reexamination of the“Bilingual Phenomenon”in Modern Chinese Poetry [J]. JIANGHAN ACADEMIC, 2018, 37(4): 61-67.
[15]	FENG Guangyi, ZHANG Fuxia. Tang Dynasty Poetry’s“A as B/X as Y”Pattern [J]. JIANGHAN ACADEMIC, 2018, 37(3): 123-128.

War Politics and 1940s Chinese Poetry

PDF

Knowledge

Abstract

Cite this article

share this article

References

Related Articles 15

Recommended Articles

Metrics

Comments