Heading for the World of Poetic Missing——On the Creation of the Modern Chinese Poetry Chanting Form

Abstract

CLC Number:

I207.25

YAN Lian-jun. Heading for the World of Poetic Missing——On the Creation of the Modern Chinese Poetry Chanting Form[J]. JIANGHAN ACADEMIC, 2013, 32(3): 41-48.

［１］　陈世骧．中国的抒情传统［Ｃ］／／陈世骧文存．沈阳：辽宁教育出版社，１９９８：２．
［２］　张潮．幽梦影［Ｍ］．北京：中央文献出版社，２００１：１３０．
［３］　丹尼尔·贝尔．资本主义文化的矛盾［Ｍ］．赵一凡，蒲隆，等，译．北京：三联书店，１９９２：４９．
［４］　加斯东·巴什拉．水与梦：论物质的想象［Ｍ］．顾嘉琛，译．长沙：岳麓书社，２００５：２-３．
［５］　废名，朱英诞．新诗讲稿［Ｍ］．陈均，编订．北京：北京大学出版社，２００８．
［６］　胡适．胡适作品新编［Ｍ］．北京：人民文学出版社，２００９：５．
［７］　梁实秋．新诗的格调及其他［Ｍ］／／杨匡汉，刘福春，编．中国现代诗论．广州：花城出版社，１９８５：１４１．
［８］　爱莲心．向往内心转化的庄子：庄子内篇分析［Ｍ］．南京：江苏人民出版社，２００４：８３．
［９］　林徽因．山中一个夏夜［Ｍ］／／林徽因作品新编．北京：人民文学出版社，２００９：１８．
［１０］蒙田．论悲伤［Ｍ］／／蒙田随笔全集：第１卷．马振聘，译．上海：上海书店出版社：４-７．
［１１］陈世骧．原兴：兼论中国文学特质［Ｍ］／／陈世骧文存.沈阳：辽宁教育出版社，１９９８：１５５．
［１２］熊十力．原儒［Ｍ］．北京：中国人民大学出版社，２００６：１７４．
［１３］加斯东·巴什拉．空间的诗学［Ｍ］．张逸婧，译．上海：上海译文出版社，２００９：２６７．
［１４］卞之琳．关于《鱼目集》［Ｎ］．大公报·文艺，１９３６－０５－１０．
［１５］冯友兰．新知言［Ｍ］．北京：三联书店，２００７：１２．
［１６］约翰·伯格．抵抗的群体［Ｍ］．何佩桦，译．桂林：广西师范大学出版社，２００８：３９．
［１７］里尔克．给一个青年诗人的十封信［Ｍ］．冯至，译．北京：三联书店，１９９６：２０．
［１８］瓦雷里．文艺杂谈［Ｍ］．段映红，译．天津：百花文艺出版社，２００２：３３．
［１９］斯宾诺沙．知性改进论［Ｍ］．贺麟，译．上海：上海人民出版社，２００９：２６０．
［２０］ＥＣ斯坦哈特．隐喻的逻辑———可能世界中的类比［Ｍ］．黄华新，徐慈华，等，译．杭州：浙江大学出版社，２００９：１．
［２１］埃德蒙·威尔逊．阿克瑟尔的城堡———１８７０年至１９３０年的想象文学研究［Ｍ］．黄念欣，译．南京：江苏教育出版社，２００６：１５．
［２２］钱锺书．谈艺录［Ｍ］．北京：中华书局，１９８７：１１１-１１４．
［２３］瓦雷里．瓦雷里诗歌全集［Ｍ］．葛雷，梁栋，译．北京：中国文学出版社，１９９６：８２．
［２４］刘西渭．咀华集［Ｍ］．北京：人民文学出版社，２００１：９１-９５．
［２５］牟宗三．中国哲学十九讲［Ｍ］．上海：上海世纪出版集团，２００６：２５２-２５３．
［２６］里尔克．永不枯竭的话题———里尔克艺术随笔［Ｍ］．史行果，译．北京：东方出版社，２００２：１２３．
［２７］陈嘉映．语言哲学［Ｍ］．北京：北京大学出版社，２００３：４２．
［２８］莫里斯·梅洛—庞蒂．间接的语言和沉默的声音［Ｍ］／／符号．北京：商务印书馆，２００５：５６．
［２９］吴晓东．中国新诗总系：第３卷［Ｍ］．北京：人民文学出版社，２０１０：１５２．
［３０］穆旦．穆旦诗文集：第２卷［Ｍ］．北京：人民文学出版社，２００６：４８-５８

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[2]	ZHU Zhoubin. The Lexicalization Interest in Ouyang Jianghe’s Poety：Distance Kept by the Use of Words [J]. JIANGHAN ACADEMIC, 2023, 42(1): 52-59.
[3]	GUO Haiyu. Methods of No Fixation：The Poetic Variation of Narrators in Modern Chinese Poetry [J]. JIANGHAN ACADEMIC, 2022, 41(6): 55-64.
[4]	LI Haiying. The Writing Capability and Morning Ethics of Modern Family Elegy：Focusing on Zhang Shuguang’s Poems [J]. JIANGHAN ACADEMIC, 2022, 41(6): 65-74.
[5]	WANG Dongdong. China’s Modernism as Democratic Culture：Rediscovering Yuan Kejia’s Theory on Modernization of New Poetry [J]. JIANGHAN ACADEMIC, 2022, 41(5): 84-91.
[6]	FENG Yi，ZHANG Fan. Against Naming，Construction of Pluralism through Voice and Meaning：A Focus on Chinese Studies of American Language Poetry in the Past Three Decades [J]. JIANGHAN ACADEMIC, 2022, 41(5): 92-101.
[7]	QIAN Wenliang，HUANG Yilan. Poetic Thinking and Witchcraft Thinking：Witchcraft Gaming in Xiao‘an’s Poems [J]. JIANGHAN ACADEMIC, 2022, 41(4): 53-58.
[8]	MA Gui. Pleasure，Endurance，or Responsibility：Body Ethics in Contemporary Poetry [J]. JIANGHAN ACADEMIC, 2022, 41(4): 59-66.
[9]	ZHOU Zan. “Anecdote of the Jar”：Clue to the Development of Modern Poetic Criticism in the Past Four Decades [J]. JIANGHAN ACADEMIC, 2022, 41(3): 36-46.
[10]	DUAN Congxue. Humiliation，Suffering and Poet Ai Qing’s Self-awareness and National Identity [J]. JIANGHAN ACADEMIC, 2022, 41(3): 47-55.
[11]	LIU Yan，ZHOU Anxin. A Structural-Deconstructural Approach：Spatio-Temporal Images and Topological Thinking in The Poet and Death [J]. JIANGHAN ACADEMIC, 2022, 41(2): 63-71.
[12]	LI Zhangbin，CHEN Jingyan. Bian Zhilin’s Theory on the Metrical Pattern of New Poetry in the 1950s [J]. JIANGHAN ACADEMIC, 2022, 41(2): 72-80.
[13]	FANG Bangyu. Interruption of Creation and the“Middle-age”of Poetry：A Discussion Centered on Feng Zhi，Wei Yiduo，and Zhu Ziqing [J]. JIANGHAN ACADEMIC, 2022, 41(1): 73-82.
[14]	CHEN Peihao. The“Folk”Used as Shell by Poetic Discourse：Tracing the Source of Modernity and Ethic Reflection [J]. JIANGHAN ACADEMIC, 2021, 40(6): 86-96.
[15]	WU Hao. “Looking for Motherland in Language”：On the Poetry of Song Lin [J]. JIANGHAN ACADEMIC, 2021, 40(5): 103-110.

Heading for the World of Poetic Missing——On the Creation of the Modern Chinese Poetry Chanting Form

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