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［USA］MI Jialu，（translation）ZHAO Fan.
The Explosive and Creative Body：Self-Fashioning and Chinese Modernity—— A Reinterpretation of Guo Moruo’s Poem The Sky Dog
[J]. JIANGHAN ACADEMIC, 2016, 35(1): 13-21.
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| [2] |
MI Jia-lu.
Poetics of Navigation:River Lyricism ,Epic Anxiety and Post-Mao Utopianism
[J]. JIANGHAN ACADEMIC, 2014, 33(5): 51-59.
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| [3] |
Zhang Jian-wei.
On Huang kan’s Annotation to Ruan ji’s Yong huai Poems:Also onAnnotation to Ruan ji’s Poems Yong huai
[J]. JIANGHAN ACADEMIC, 2012, 31(2): 85-90.
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| [4] |
WANG Shu.
“The Character of CiFu” and Xiao-Tong’s Wording of “ShenSi”
[J]. JIANGHAN ACADEMIC, 2010, 29(6): 38-42.
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| [5] |
YIN Jiang.
On the Assortment and Sequencing of “Fu ”in Han Su:Yiwenzhi ——Also on The Elegies of Chu Not Being Seleted from the Kind of Quyguan “Fu”
[J]. JIANGHAN ACADEMIC, 2010, 29(5): 43-47.
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| [6] |
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[J]. JIANGHAN ACADEMIC, 2009, 28(4): 25-31.
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| [7] |
ZHAN Ran.
Background Analysis of Weng Fanggang’s Advocating “the Intellectuals Poetry”
[J]. JIANGHAN ACADEMIC, 2009, 28(2): 36-39.
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| [8] |
QIU Zhi-cheng, HUANG Jun-peng.
Literal Zen and Viewing Vulgar as Elegancein Poetry During Song Dynasty
[J]. JIANGHAN ACADEMIC, 2008, 27(5): 87-91.
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| [9] |
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[J]. JIANGHAN ACADEMIC, 2008, 27(2): 33-41.
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[J]. JIANGHAN ACADEMIC, 2007, 26(2): 83-86.
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| [11] |
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Distinguishing Between Falsehood and Truth Seeking Enchanting View Through Winding Path
[J]. JIANGHAN ACADEMIC, 2006, 25(6): 94-97.
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[J]. JIANGHAN ACADEMIC, 2006, 25(4): 41-45.
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| [13] |
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[J]. JIANGHAN ACADEMIC, 2006, 25(2): 50-54.
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| [14] |
HU Da-lei.
Analysis of Causes of Intended“Satire” Turning Out Contrarily to Be “Advice” in Han fu
[J]. JIANGHAN ACADEMIC, 2005, 24(3): 18-24.
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