[1] |
TIAN Yuan.
Image of Rangers,Feminity,and Meditation on Death:Reader Criticism and the Decadent Tendency of Poems by Chinese Symbolist Poets
[J]. JIANGHAN ACADEMIC, 2021, 40(2): 62-71.
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[2] |
ZHANG Jieyu.
“I’m Both inside and outside New Poetry”—Reevaluation of the Changes of Wen Yiduo’s Poetic Ideas and Others
[J]. JIANGHAN ACADEMIC, 2020, 39(5): 50-57.
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[3] |
ZHANG Ying.
“Poetization of Language”and“Window”—On the Interaction between Lin Geng’s Creation and Research
[J]. JIANGHAN ACADEMIC, 2020, 39(5): 58-68.
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[4] |
MIAO Huilian,ZHANG Qiang.
Dominant and Recessive Factors in the Musicality of Xu Zhimo’s Poetry
[J]. JIANGHAN ACADEMIC, 2020, 39(2): 54-61.
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[5] |
PAN Lingjian.
On the Loop Structure and Momentary Art of Octavio Paz’s Long Poem Piedra de sol
[J]. JIANGHAN ACADEMIC, 2020, 39(2): 62-68.
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[6] |
MI Jialu,translated by ZHAO Fan.
The Turbulent Decadence:Somatic Pathology and Infernal Cave in Li Jinfa’s Poetry
[J]. JIANGHAN ACADEMIC, 2019, 38(4): 91-106.
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[7] |
YANG Xiaobin.
Symbolic Phantom and Labyrinth Theater:Urban Illusions in Chen Dongdong’s Poetry
[J]. JIANGHAN ACADEMIC, 2019, 38(1): 54-61.
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[8] |
Institute of Foreign Literature,Chinese Academy of Social Sciences,Beijing 100732,China.
Life Multiplication:One Original Text and Five Target Texts
[J]. JIANGHAN ACADEMIC, 2010, 29(3): 16-19.
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