Dominant and Recessive Factors in the Musicality of Xu Zhimo’s Poetry

MIAO Huilian，ZHANG Qiang

CLC Number:

MIAO Huilian，ZHANG Qiang. Dominant and Recessive Factors in the Musicality of Xu Zhimo’s Poetry[J]. JIANGHAN ACADEMIC, 2020, 39(2): 54-61.

[1]	PENG Yinglong. “Integrating the East and the West”：A Case of the Sources of Zhang Zao’s Poetry [J]. JIANGHAN ACADEMIC, 2021, 40(2): 53-61.
[2]	TIAN Yuan. Image of Rangers，Feminity，and Meditation on Death：Reader Criticism and the Decadent Tendency of Poems by Chinese Symbolist Poets [J]. JIANGHAN ACADEMIC, 2021, 40(2): 62-71.
[3]	ZHANG Jieyu. “I’m Both inside and outside New Poetry”—Reevaluation of the Changes of Wen Yiduo’s Poetic Ideas and Others [J]. JIANGHAN ACADEMIC, 2020, 39(5): 50-57.
[4]	ZHANG Ying. “Poetization of Language”and“Window”—On the Interaction between Lin Geng’s Creation and Research [J]. JIANGHAN ACADEMIC, 2020, 39(5): 58-68.
[5]	PAN Lingjian. On the Loop Structure and Momentary Art of Octavio Paz’s Long Poem Piedra de sol [J]. JIANGHAN ACADEMIC, 2020, 39(2): 62-68.
[6]	MI Jialu，translated by ZHAO Fan. The Turbulent Decadence：Somatic Pathology and Infernal Cave in Li Jinfa’s Poetry [J]. JIANGHAN ACADEMIC, 2019, 38(4): 91-106.
[7]	YANG Xiaobin. Symbolic Phantom and Labyrinth Theater：Urban Illusions in Chen Dongdong’s Poetry [J]. JIANGHAN ACADEMIC, 2019, 38(1): 54-61.
[8]	Institute of Foreign Literature,Chinese Academy of Social Sciences,Beijing 100732,China. Life Multiplication:One Original Text and Five Target Texts [J]. JIANGHAN ACADEMIC, 2010, 29(3): 16-19.

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