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YAN Lianjun.
The Literary Construction of“Ethnic Brotherhood”Image in Early PRC：A Reinterpretation of Three Short Stories of the 1950s
[J]. JIANGHAN ACADEMIC, 2022, 41(2): 81-90.
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GU Jinbang.
On Animal Images’Flowing Deformation in Narration in Mo Yan’s Novels
[J]. JIANGHAN ACADEMIC, 2019, 38(2): 111-118.
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| [3] |
Carlos Rojas.
Monolingualism of the Other：Space，Language，and Literary Creation——Yan Liank， A Lai，Dung Kai-cheung， Ng Kim Chew， Xiaolu Guo as examples
[J]. JIANGHAN ACADEMIC, 2016, 35(3): 76-81.
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［USA］GONG Haomin.
The Tension of Viewing Eileen Chang：An Overview of Contemporary Scholarship on Eileen Chang，with an Review of Viewing Eileen Chang at Zero Degree
[J]. JIANGHAN ACADEMIC, 2016, 35(2): 13-20.
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LIU Yan.
On A Lai Novels’Regional Depiction and Modernity Reflection—— Empty Moutains： Heaven Fire as an Example
[J]. JIANGHAN ACADEMIC, 2016, 35(1): 75-82.
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PENG Songqiao.
Reconstruction of Regional Symbols and Folk Discourse—— Chi Li，Chen Yingsong，and Liu Xinglong as Examples
[J]. JIANGHAN ACADEMIC, 2016, 35(1): 83-89.
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| [7] |
LI Guoqian.
Urban Approach and Identity Cognition in the Growth Discourse—— Lin Haiyin’s Beijing Narration and Her Identity Reconfirmation
[J]. JIANGHAN ACADEMIC, 2016, 35(1): 90-96.
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XIAO Min.
Stylistic Awareness and Historical Writing to City Image in Novels by Fang Fang
[J]. JIANGHAN ACADEMIC, 2015, 34(2): 107-111.
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Zhou Jian-min,YANG Man-hua.
Dialect Writing Art of Liu Xinglong's Saint Tianmenkou
[J]. JIANGHAN ACADEMIC, 2014, 33(6): 91-99.
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[J]. JIANGHAN ACADEMIC, 2010, 29(3): 47-48.
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[J]. JIANGHAN ACADEMIC, 2009, 28(5): 23-24.
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[J]. JIANGHAN ACADEMIC, 2009, 28(5): 25-27.
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[J]. JIANGHAN ACADEMIC, 2009, 28(5): 28-29.
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[J]. JIANGHAN ACADEMIC, 2009, 28(5): 30-31.
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[J]. JIANGHAN ACADEMIC, 2009, 28(5): 32-33.
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