江汉学术 ›› 2019, Vol. 38 ›› Issue (5): 44-52.doi: 10.16388/j.cnki.cn42-1843/c.2019.05.005

• 艺术专栏_艺术史论新视野 • 上一篇    下一篇

中国新世纪电影的叙事问题及分治策略

濮 波   

  1. 浙江传媒学院 电影学院,杭州 310018
  • 收稿日期:2019-04-16 出版日期:2019-10-15 发布日期:2019-09-12
  • 作者简介:濮 波,男,浙江绍兴人,浙江传媒学院电影学院副教授,博士。

Separate Strategies to Solve Problems in China’s New Century Film Narrations

PU Bo   

  1. Academy of Film,Communication University of Zhejiang,Hangzhou 310018
  • Received:2019-04-16 Online:2019-10-15 Published:2019-09-12

摘要: 讨论电影的叙事本身是一个随着语境和层次浮动的问题域。针对中国电影目前的叙事和诗学问题,可从电影的商业性和艺术性两个方向来分门别类地谈论和分析。这两个问题具有不同的问题指向性和解决办法以及各自的等级性。在电影的商业性层面上,须解决电影中的文化和接受问题,处理好民族文化和全球文化的关系,处理好主流文化和亚文化之间的关系;需要考虑如何提高接受美学意识;需要精心提升电影叙事技术和叙事谋略。在电影的艺术性层面上,则要对电影诗学进行建构,并形成中国电影情节信码模式,坚守伦理底线。这样建立一种思考问题域和解决方式之网络,意在为“从何种层次上谈论中国电影的叙事是合法的”这个问题澄清话语关系,做到研讨中国电影叙事的客观性。

关键词: 中国电影, 电影叙事, 叙事艺术, 电影情节

Abstract: The discussion of film narrations itself is a problem domain that floats with contexts and levels.Chinese films’narrations and poetics can be discussed and analyzed separately from their commercial and artistic perspectives. These two problems have two different directions and solutions and each has its own levels. On the commercial level,films must solve the problem of cultural acceptance and properly deal with the relationships between national and global cultures and between the mainstream cultures and the subcultures;they must consider how to raise their consciousness of accepting esthetics;they must also meticulously advance narrative skills and strategies. On the artistic level,filmmakers must establish the film poetics,form a Chinese mode of code for film plots,and stick to the ethical baseline. A network built up in this way for people to explore the problem domain and solutions is meant to clarify the discourse relations for the question of“on which level is the discussion of Chinese films’narrations legitimate?”and to ensure that the discussion is objective.

Key words: Chinese film, film narration, art of narration, film plots

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