江汉学术 ›› 2011, Vol. 30 ›› Issue (1): 5-9.

• 现当代诗学研究 •    下一篇

创造抑或模仿——对诗歌翻译的创造性的几点质疑

林克   

  1. 西南交通大学外国语学院,成都610031
  • 收稿日期:2010-09-10 出版日期:2011-02-01 发布日期:2014-01-02
  • 作者简介:林克(1958-),男,四川南充人,西南交通大学外国语学院教授,主要从事德语诗歌翻译与研究

Creativity and Imitation ——Queries into Creativity of Poetry Translation

LIN Ke   

  1. School of Foreign Language, Southwest University, Chengdu 610031,China
  • Received:2010-09-10 Online:2011-02-01 Published:2014-01-02

摘要: 诗歌翻译是一门实践性极强的手艺。它重经验轻理论;译者应该甘当仆人,服侍诗人并将原作奉为圭臬;模仿乃是翻译的极其显著的特点,而且应达到惟妙惟肖、近乎等值的效果;翻译在内容上不允许创造,形式上的创造也相当有限。因此,若将“全面的信”确立为翻译的标准,那么大概可以说创造性翻译的提法总而言之是不大妥当的。

关键词: 诗歌翻译, 创造性, 模仿, “全面的信”

Abstract: Poetry translation is an art with careful practice, which needs more experience than theory. The translators should be servant-like and serve poets and regard their poetry as standard. Imitation is the outstanding feature in translating the poems, which makes the translation close to, or nearly the same in sense as the original ones. In translation, the meaning can never be created, and the creation in forms should also be restricted. Thus, if “full information” is regarded as the translation standard, it may also conclude that the creative translation is improper.

Key words: poetry translation, creativity, imitation, “full information”

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