江汉学术 ›› 2010, Vol. 29 ›› Issue (2): 42-46.

• 文学研究 • 上一篇    下一篇

反理论主义的“艺术色情学”

陈文钢   

  1. 江西财经大学 人文学院,南昌 330013
  • 收稿日期:2009-11-18 出版日期:2010-04-01 发布日期:2013-12-29
  • 作者简介:陈文钢(1974-),男,江西铅山人,江西财经大学人文学院讲师,山东大学汉语言文学博士后流动站博士,主要从事文艺美学与文学批评研究。
  • 基金资助:
    江西省“十一五”社科规划项目“苏珊·桑塔格文艺思想研究”(06wx44)

On erotics of art of Susan sontag

CHEN Wen-gang   

  1. School of Humanities,Jiangxi University of Finance & Economics,Nanchang 310013,China
  • Received:2009-11-18 Online:2010-04-01 Published:2013-12-29

摘要: “艺术色情学”强调艺术的形式和对艺术的感受力,是向人们逐渐散失的艺术感受力的厉声呼唤。艺术色情学与追求“审美解放”的马尔库塞的爱欲主张有相通之处。爱欲作为一种生命力基础,有着与审美共同的最终诉求自由。美学理论与批评实践有意无意地被理论主义所笼罩,强调艺术感受力与艺术形式的 “艺术色情学”是对其的纠枉,它强调“身心”合一,主张艺术向“身体-主体”回归。

关键词: 苏珊·桑塔格, 色情学, 爱欲, 身体-主体

Abstract: The erotics of art emphasizes the form and therefore sensibility, it's a loud shout to the ear of sensibility. There are some likeness between erotics of art and aesthetical liberation of Eros of H.Marcuse. As a base of life, eros finally walks to an end with aesthetics, that's freedom.Susan sontag claimed that the erotics of art from against interpretation is intersubjectivity and indivisibility of body and mind.The base of erotics is eros which is fundamentality life.With the eros,art goes to freedom finally. Uudoubtedly, this proposition of Susan is instructive to the criticism and theory of art in China for that the erotic of art means form and sensibility of art.

Key words: Susan sontag, erotics of art, Eros, bodysubject

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