江汉学术 ›› 2010, Vol. 29 ›› Issue (1): 33-37.

• 文学研究 • 上一篇    下一篇

论“诸法实相”与《红楼梦》“情”之本体的挺立

高源   

  1. 南京大学 哲学系,南京 210093
  • 收稿日期:2009-09-25 出版日期:2010-02-01 发布日期:2013-12-27
  • 作者简介:高 源(1987-),男,河南洛阳人,南京大学哲学系硕士生,研究方向中国哲学。

“Dharmadhãtu” and Establishment of Ontology of “Qing(Sentiments)” in A Dream of Red Chambers

GAO Yuan   

  1. Department of Philosophy, Nanjing University, Nanjing 210093,China
  • Received:2009-09-25 Online:2010-02-01 Published:2013-12-27

摘要: 《红楼梦》在诸法实相的思想基石上挺立出“情”本体,使之与“情”的境界、工夫和合于“情”的哲学体系中。《红楼梦》用烟雾朦胧之法使“情”与“空”的分立圆融成为可能,并凸显伤时骂世之旨;而“情”的大化流行,则处处体现着“诸法实相”的思辨智慧。基于“诸法实相”,“情”在境界嬗变与本体流转中不可避免地陷入悲苦之境,从而于悲情视域中完成了《红楼梦》的旨归。

关键词: 《红楼梦》, 诸法实相, 情本体

Abstract: A Dream of Red Chambers establishes its ontology of “Qing”on the term of “Dharmadhãtu” which interweaves spirituality with the practice of “qing”. A Dream of Red Chambers makes it possible to integrate “qing” with “kong(sūnya)” in an ambiguous way, and it also highlights the purpose of vilifying the society and times; With the spread and development of “qing”, the “Dharmadhãtu” wisdom is embodied everywhere. Based on “Dharmadhãtu”, “qing” inevitably finds itself in distressing circumstances. At last, the purpose of A Dream of Red Chambers has been achieved on the horizon of desolation.

Key words: A Dream of Red Chambers, “Dharmadhã, tu”, Qing(sentiments)”, ontology

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