江汉学术 ›› 2009, Vol. 28 ›› Issue (6): 64-66.

• 哲学研究 • 上一篇    下一篇

论尼采哲学为生命辩护的审美向度

宋海勇   

  1. 吉林大学哲学社会学院,长春130012
  • 收稿日期:2009-08-12 出版日期:2009-12-01 发布日期:2014-01-02
  • 作者简介:宋海勇(1982-),男,吉林磐石人,吉林大学哲学社会学院博士生,研究方向现代西方哲学。

Aesthetic Dimension of Nietzsche’s Defense of Life

SONG Hai-yong   

  1. School of Philosophy & Sociology,Jilin University,Changchun 130012,China
  • Received:2009-08-12 Online:2009-12-01 Published:2014-01-02

摘要: “上帝”作为西方文化的核心价值观,一直以来都为西方人提供着终极关怀与死后的慰藉。“上帝”之死导致了最高价值缺位,撇下西方人在一个缺乏意义与充斥着荒谬本质的世界上独抱孤怀。在尼采看来,科学与道德都无法为生命提供终极的价值关怀,只有艺术,传承了神话的精髓,将人的生存审美化并为人的生存提供永恒、神圣的指引。

关键词: 尼采, 艺术, 生命, 审美向度

Abstract: “God” as the core values of western culture has always been to provide the ultimate concern for the West and to offer them solace after death. The God’s death led to an absence of the supreme value, leaving the West bitterly lonely in a world lack of meaning and full of absurd nature. In Nietzsche’s view, neither science nor morality can provide life with the ultimate value of care. Only art,inheriting the essence of the myth,can make human existance aesthetic and provide eternal and holy guidelines to life.

Key words: Nietzsche, art, life defense, aesthetic dimension

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