新市民电影:左翼电影的高级模仿秀——明星影片公司1935年出品的《船家女》①读解

江汉学术 ›› 2009, Vol. 28 ›› Issue (2): 26-30.

新市民电影:左翼电影的高级模仿秀——明星影片公司1935年出品的《船家女》^①读解

袁庆丰

中国传媒大学媒体管理学院,北京100024

收稿日期:2008-09-19 出版日期:2009-04-01 发布日期:2013-12-26
作者简介:袁庆丰(1963-),男,内蒙古呼和浩特人,中国传媒大学媒体管理学院教授,博士,主要从事电影学研究。

New Civic Movies:Advanced Mimic Show of Leftist Movies

YUAN Qing-feng

College of Media Management,Communication University of China,Beijing 100024,China

Received:2008-09-19 Online:2009-04-01 Published:2013-12-26

摘要/Abstract

摘要： 《船家女》对社会批判的改良色彩表明,1935年的新市民电影在更多继承旧市民电影的传统题材、审美趣味的同时,及时利用、吸收电影新技术(有声技术)和左翼电影的思想元素,并迅速地和有选择地将其转化为市场卖点,多从庸常的表述和展示世俗生活的角度注重影片的艺术性和趣味性。

关键词: 左翼电影, 新市民电影, 《船家女》, 审美趣味, 市场卖点

Abstract: As indicated in the modified approach of social criticism by Boatman’s Daughter, new civic movies in 1935, while inheriting more of the traditional themes and aesthetic tastes of the old ones, timely used and absorbed the new technique(sound technique) and the Leftist film ideological elements, and quiclely and selectively converted them into market salabilities. The artistry and the popalar apeal of the folms were mostly acheved through commonplace presentation and from the perspective of displaying worldly life.

Key words: Leftist movies, new civic movies, Boatman’s Daughter, aesthetic taste, market salability

中图分类号:

I207.351

袁庆丰. 新市民电影:左翼电影的高级模仿秀——明星影片公司1935年出品的《船家女》^①读解[J]. 江汉学术, 2009, 28(2): 26-30.

YUAN Qing-feng. New Civic Movies:Advanced Mimic Show of Leftist Movies[J]. JIANGHAN ACADEMIC, 2009, 28(2): 26-30.