江汉学术 ›› 2008, Vol. 27 ›› Issue (6): 5-10.

• 现当代诗学研究 •    下一篇

丽娃河畔的纳喀索斯——宋琳诗歌的抒情品质及其焦虑

张闳   

  1. 同济大学文化批评研究所,上海200092
  • 收稿日期:2008-08-10 出版日期:2008-12-01 发布日期:2014-01-02
  • 作者简介:张闳(1962-),男,江西都昌人,同济大学哲学系、文化批评研究所教授,博士生导师,主要从事文化哲学研究与大众文化批评

Naxian on Riva Riverside

ZHANG Hong   

  1. Culture Criticize Institute, Tong Ji Univerity, Shanghai 200092,China
  • Received:2008-08-10 Online:2008-12-01 Published:2014-01-02

摘要: 宋琳的诗不仅有一种流水般的清澈和恍惚的风格,而且他偏爱使用水流的场景和隐喻。像赫拉克利特和孔子那样沉思时间,这给宋琳的诗歌带来了浓重的哲理意味和沉思品格。对存在的时间性的思考,一度成为这位“哲学狐狸”的精神日课。这位抒情的纳喀索斯,再一次回眸注视自己的倒影,但这不再只是一个自我迷恋的寓言,而是同时关涉到一种文化的历史寓言。

关键词: 宋琳, 诗歌, 纳喀索斯, 抒情

Abstract: Song Lin’s poems developed a crystally clear and subtle style. More than that, he preferred to use scenes and metaphors of fluent water. Maditating in the same way as Heraclitos and Confucius rendered Song’s poems a strong philosophic flavour and a musing style. Brooding over the existing timeliness once became the daily assigment of this “fox of philosophy”. This lyric Naxian once again gazed at the inverted reflection of himself. But this time it was no longer only a self-loving fable also a historical one that was concerned with a culture.

Key words: Song Lin, poems, Naxian, lyricism

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