江汉学术 ›› 2008, Vol. 27 ›› Issue (3): 36-40.

• 文学研究 • 上一篇    下一篇

从社会学、谱系学走向性别诗学——从小说《下面的世界》看当代女性主义

江承志1,李践2   

  1. 1.香港城市大学中文、翻译及语言学系,香港;
    2.华南农业大学外国语学院,广州510642
  • 收稿日期:2007-11-05 出版日期:2008-06-01 发布日期:2013-12-30
  • 作者简介::江承志(1976-),男,湖北武汉人,香港城市大学中文、翻译及语言学系硕士生,中国地质大学(武汉)外国语学院讲师,研究方向:文学翻译及英美文学;李践(1962-),男,河南博爱人,华南农业大学外国语学院教授,博士,主要从事英美文学研究。

From Sociology and Genealogy to Gender Poetics:Feminism Reflected in The World Below

JIANG Cheng-zhi1, LI Jian2   

  1. 1. City University of Hongkong,Department of Accountancy;
    2. South China Agricultural University, Guangzhou 510642,China
  • Received:2007-11-05 Online:2008-06-01 Published:2013-12-30

摘要: 女性主义文学批评强调运用女性视角审视文学作品,通过系统研究女性文学的创作母题、结构艺术和叙事风格,在发现和建构“性别诗学”体系的同时,以一种开拓性的文化立场和批判精神,对文学创作中长期存在着的男权制进行了一次较为深入的理论颠覆。而美国作家休·米勒的小说《下面的世界》作为一个典型的个案,从社会学纬度和性别诗学纬度两个方面系统、深入地反映了女权运动深入到文学领域后所产生的若干影响及新变。

关键词: 女性主义, “被动/主动”模式, “限制/超越”模式, “女性系谱”, 性别诗学

Abstract: Feminist point of view is emphasized in appraising a literary work by feminist literary criticism, which attempts not only to establish through the systematic study of the theme, structural, art and narrative style of the feminist works, the system of “Gender Poetics”, but also theoretically to subvert with a pioneering cultural stand and a critical spirit the deep-rooted patriarchal tradition in literary creation. The World Below by Sue Miller is a typical example, which, from the altitude of sociology and poetics, profoundly reflects the effects and changes taken place when feminism goes deep into the field of literature.

Key words: feminism, “passive/active” pattern, “restrict/transcendent” pattern, “feminine genealogy”, Gender Poetics

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