江汉学术 ›› 2008, Vol. 27 ›› Issue (1): 35-39.

• 当代诗学研究 • 上一篇    下一篇

袁可嘉诗学思想探源

马永波   

  1. 南京理工大学文学院,南京210004
  • 收稿日期:2007-09-20 出版日期:2008-02-01 发布日期:2013-12-30
  • 作者简介:马永波(1964-),男,黑龙江伊春人,南京理工大学文学院副教授,博士,主要从事现代诗学、比较文学、西方文论研究。

Origin of Yuan Kejia’s Thought of Poesy

MA Yong-bo   

  1. College of Chinese Language and Literature, Nanjing University of Science and Technology, Nanjing 210004,China
  • Received:2007-09-20 Online:2008-02-01 Published:2013-12-30

摘要: 九叶诗派在对20世纪40年代中国新诗中普遍存在的浪漫主义滥情与象征主义纯诗逃避现实的两种倾向进行反思的同时,自觉以西方现代主义诗学为参照,提出了“现实、象征、玄学”的新的综合诗观,在很大程度上推动了新诗现代化的深入与发展。清理其理论代言人袁可嘉诗学思想的外来渊源,可以便捷地捋清西方现代主义诗歌理念在中国的传播、接受与变异的若干特征。

关键词: 九叶诗派, 袁可嘉, 诗学思想, 新批评

Abstract: In their retrospection of the two tendencies of excessive romantic emotions and reality-escaping symbolistic pure poems existing generally in the new poems of China in 1940’s, the Jiuye(nine-leaf) poetic group, willingly taking modernist poesy of the West for reference, brought forward the new comprehensive poetic conception of “reality, symbol and metaphysiscs”, which to a great extent promoted the modernized deepening and development of new poems. To put in order the foreign origin of the poesy thought of Yuan Kejia, the theoretical spokesman, makes it quick and easy to get the features into shape of the spread, acceptance and change of the idea of Western modernist poems in China.

Key words: Jiuye(nine-leaf) poetic group, Yuan Kejia, poesy thought, new criticism

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