江汉学术 ›› 2007, Vol. 26 ›› Issue (5): 54-58.

• 文学研究 • 上一篇    下一篇

清末民初的文化语境与小说批评方式的转型

贺根民   

  1. 扬州大学文学院,江苏扬州225002
  • 收稿日期:2007-05-10 出版日期:2007-10-01 发布日期:2013-12-30
  • 作者简介:贺根民(1971-),男,湖南邵东人,扬州大学文学院古代文学专业博士生,主要从事古典小说批评研究。

Cultural Context of the Late-Qing Dynasty andthe Transformation of Novel Criticism Patterns

HE Gen-min   

  1. Humanities School, Yang Zhou University, Yang Zhou 225002,China
  • Received:2007-05-10 Online:2007-10-01 Published:2013-12-30

摘要: 小说批评方式运载着文人的审美理想和社会诉求,小说文体地位的飙升,冲击着传统的小说批评方式格局。清末民初的小说理论家大多未能脱离传统文论的轨辙,传统文论的阐释方式仍为他们操作的有效工具,但专论等批评方式的出现,也在撕裂传统的禁锢时闪烁着耀人的光芒。小说观念的近代化进程,绘制了文化语境转型下新旧杂陈的批评方式风貌。清末民初小说批评的群体参与,展示了近代文化语境中的文学批评趋向。

关键词: 清末民初, 文化语境, 小说批评方式, 评点, 序跋, 专论

Abstract: The patterns of criticism embodied the idea and belief in society and of the intellectuals. The improvement of novel position changed the tradition of the novel pattern. Most of the novels failed to break away from the tradition and the way of tradition culture was still an effective implement for them. The emergece of monographs glittered with brilliance to be glimmered when the tradition was ripped apart. The modern process of the novel concept showed the style and features of how the cultural context was transformed. A group of intellectuals participated in novel criticism indicated the trend of literary criticism in the cultural context in the modern times.

中图分类号: