江汉学术 ›› 2007, Vol. 26 ›› Issue (3): 11-15.

• 现当代诗学研究 • 上一篇    下一篇

论当代诗人散文中的诗性——以《晕眩》为例

张桃洲   

  1. 首都师范大学文学院,北京100037
  • 收稿日期:2006-12-15 出版日期:2007-06-01 发布日期:2013-12-30
  • 作者简介:张桃洲(1971-)男,湖北天门人,首都师范大学文学院教师,博士,主要从事中国现当代文学研究。

Modern Poets’ Poeticness in Prose

ZHANG Tao-zhou   

  1. School of Humanities, capital Normal University, Beijing 100037,China
  • Received:2006-12-15 Online:2007-06-01 Published:2013-12-30

摘要: 诗歌与散文的文体之争,是我们这个时代写作中一个最具戏谑色彩的隐喻之一。当一位诗人转向(也许只是间或)散文写作,其不仅是在探索着散文的文体可能性,而且力图保持其作为诗人的身份;也就是,在写作中他既维护诗歌与散文的界限,又试图将诗歌的结构方式(而不仅仅是气息)渗进散文或转化成散文的要素。在一定意义上,其散文和诗歌构成了一种“对位”关系。

关键词: 诗人, 散文, 文体, 《晕眩》

Abstract: The debate on the style of poetry and prose is a metaphor with a richest colouring of badinage in writing in our time. When a poet turns to prose writing(perhaps only occasionally), he is not only exploring the possibility of prose style but also trying to maintain his status of a poet, i.e.he has both to keep to the demarcation between poetry and prose and to infiltrate the poetic structural patterns (not only breath) into prose or to turn them into key elements of prose. In a certain sense, his prose and poems form a “para-position” relation.

Key words: poets, prose, style, Dizziness

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