江汉学术 ›› 2006, Vol. 25 ›› Issue (6): 19-21.
• 现当代诗学研究 • 上一篇 下一篇
盛艳
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摘要: 阿什贝利是美国后现代诗歌“纽约派”的代表人物,他的诗歌将诸多后现代元素加以混合,力求探寻诗歌写作的本质。通过研究阿什贝利诗歌中的互文性,戏仿,并通过游戏式阅读对其诗歌进行超文本解读可以发现在阿什贝利的诗歌中,真正的意义迷失于词语的“无限”能指中,只有在后现代多语境的重叠下即超文本解读中,通过对传统诗歌文本的转化和吸收来进行比较,才能理解阿什贝利诗歌的真正意义。
关键词: 约翰·阿什贝利, 互文性, 超文性, 戏仿
Abstract: John Ashbery is the representative poet of American New York School which is a branch of the post-modernist poetry. In his poems, various post-modernistic factors are mixed together, by which Ashbery tries to excavate the essence of the poetic writing. This thesis focuses on the intertexuality, parody, and amused reading in Ashbery’s poems; makes super-text analysis and finally discovers that in Ashbery’s poems, the real meaning is lost in the infinite signifiers. Only by the absorption of and the comparison with the traditional poetry, can the real meaning of Ashbery’s poems be discovered.
Key words: John Ashbery, intertexuality, supertexuality, parody
中图分类号:
I106.2
盛艳. 超文本解读下阿什贝利诗歌意义的回归[J]. 江汉学术, 2006, 25(6): 19-21.
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