起舞在商业社会——浅析20世纪90年代以来中国主旋律电影和艺术电影的商业化倾向

江汉学术 ›› 2005, Vol. 24 ›› Issue (5): 86-90.

起舞在商业社会——浅析20世纪90年代以来中国主旋律电影和艺术电影的商业化倾向

宣宁

武汉大学艺术学系,湖北武汉 430072

收稿日期:2005-04-21 出版日期:2005-05-01 发布日期:2013-12-13
作者简介:宣宁(1981-),男,江苏南京人,武汉大学艺术学系2003级硕士研究生,研究方向:电影艺术。

Dancing in commercial Society——Analysis of Commercialized Trend in China’s Theme Films and the Art Films Since 1990’s

XUAN Ning

Department of Art, Wuhan University, Wuhan 430072,Hubei,China

Received:2005-04-21 Online:2005-05-01 Published:2013-12-13

摘要/Abstract

摘要： 20世纪90年代以来中国主旋律电影和艺术电影的发展出现了明显的商业化倾向,这种倾向表现在影片的制作和运作两个方面,即影片的题材选择、情节架构、价值判断以及发行、放映的商业化。而主旋律和艺术电影在90年代出现这种发展倾向则是由改革开放和市场经济建设的大背景、电影学界关于电影本质的论争的小环境,以及主旋律电影和艺术电影自身原因共同导致的。

关键词: 主旋律电影, 艺术电影, 商业化倾向

Abstract: Since 1990’s there has emerged an obvious commercialized trend in the development of the theme and the art films, which is shown in the two aspects of production and operation, i.e. the commercialization in the choice of film subject, scenario layout, value judgement as well as in publication and screening. This trend is commonly caused by the big background of reform, openness and the market economy construction, the minor circumstance of the dispute about film nature in the field of filmology, and the causes in the theme and the art films themselves.

Key words: the theme film, the art film, commercial trend

中图分类号:

宣宁. 起舞在商业社会——浅析20世纪90年代以来中国主旋律电影和艺术电影的商业化倾向[J]. 江汉学术, 2005, 24(5): 86-90.

XUAN Ning. Dancing in commercial Society——Analysis of Commercialized Trend in China’s Theme Films and the Art Films Since 1990’s[J]. JIANGHAN ACADEMIC, 2005, 24(5): 86-90.