中国电影创作文化的历史形态与嬗变轨迹

江汉学术 ›› 2005, Vol. 24 ›› Issue (5): 82-85.

中国电影创作文化的历史形态与嬗变轨迹

杨红菊

武汉科技学院新闻与传播研究所,湖北武汉 430073

收稿日期:2005-05-30 出版日期:2005-05-01 发布日期:2013-12-13
作者简介:杨红菊(1972-),女,湖北江陵人,武汉科技学院讲师,北京师范大学艺术与传媒学院03级博士研究生,主要从事影视美学研究。
基金资助:
武汉科技学院美学重点学科基金项目(项目编号:2003P1012)

Historical Form and Evolutionary Path of Chinese Film Creation Culture

YANG Hong-ju

Research Institute of Journalism and Communication, Wuhan College of Science
and Technology,Wuhan 430073,Hubei, China

Received:2005-05-30 Online:2005-05-01 Published:2013-12-13

摘要/Abstract

摘要： 中国电影发端于向大众文化倾斜的创作文化形态,在经历了短暂的宣传与商业本位并存的格局后转变为泛政治化一元格局,及至新时期艺术本位逐步确立、商业传统艰难复归之后,才真正形成了多元并存相互融合的创作文化格局。不同时期中国电影创作的兴衰得失告诉我们,只有与时俱进,在顺应社会历史文化趋向的基础上,从时代性角度确立正确的创作文化意识,才能繁荣创作,取得艺术与商业的双丰收。

关键词: 中国电影, 电影创作, 大众文化, 精英文化意识, 艺术自律, 商业电影, 主旋律电影

Abstract: Chinese film started from the creation cultural form that favoured popular culture. After going through the temporary coexistence of propagendist and commercial standards, it turned into the monistic setup of pan-politicization. It is not until the new period when the art standard has gradually been established and the commercial tradition has arduously been restored, that the creation cultural setup has really been formed, in which polyelements exist side by side and mix together. The ups and downs of Chinese film creation in different periods tell us that only by keeping abreast with the time, taking as the basis the conformity with the social, historical and cultural tendency, and establishing the correct creation cultural consciousness from the angle of the epochal character, will creation be prosperous and can both the art and the commercial harvests be available.

Key words: Chinese film, film creation, popular culture, elite cultural consciousness, art autonomy, commercial film, theme film

中图分类号:

J901

杨红菊. 中国电影创作文化的历史形态与嬗变轨迹[J]. 江汉学术, 2005, 24(5): 82-85.

YANG Hong-ju. Historical Form and Evolutionary Path of Chinese Film Creation Culture[J]. JIANGHAN ACADEMIC, 2005, 24(5): 82-85.

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