江汉学术 ›› 2005, Vol. 24 ›› Issue (1): 52-55.

• 艺术研究 • 上一篇    下一篇

当代西方艺术的日常化:祛魅乎?赋魅乎?

万书元   

  1. 东南大学 艺术学系, 江苏 南京 210096
  • 收稿日期:2004-11-25 出版日期:2005-01-01 发布日期:2013-12-11
  • 作者简介:万书元(1956-), 男, 湖北仙桃人, 东南大学艺术学系教授, 博导, 主要从事艺术美学、建筑美学研究。

Routinization of Contemporary Western Art: De-Charm? En-Charm?

WAN Shu-yuan   

  1. Department of Arts, Southeast University, Nanjing 210096,Jiangsu,China)
  • Received:2004-11-25 Online:2005-01-01 Published:2013-12-11

摘要: 当代西方艺术家虽然实现了叙述题材的日常化,并且希望通过日常化策略使艺术在更大程度上走向大众,实现艺术的大众性和通俗化,从而祛所谓高雅艺术之魅,但是,实际上,当代西方艺术日常化的历程,在相当大程度上变成了一种艺术赋魅(返魅)的历程。当代艺术向大众的敞开性,变成了一种空想。

关键词: 艺术, 当代西方艺术, 日常化

Abstract: Although Western art has routinized the narrative theme in the hope of enabling art to move to a greater degree towards the masses by employing routinization tactics so as to bring about publicness and popularization of art in order to remove the charm of the so-called noble and graceful art, yet in fact the course of routinization of contemporary Western art turns out to be, to a considerable extent, that of art en-charm(restoration to charm). The openness to the public of contemporary art becomes an idle dream.

Key words: art, contemporaryWesternart, routinize

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