江汉学术 ›› 2025, Vol. 44 ›› Issue (4): 119-128.doi: 10.16388/j.cnki.cn42-1843/c.2025.04.011

• 艺术专栏_艺术史论新视野 • 上一篇    

直觉转译与“符号性真空”——论卡西尔艺术解释的内在困境

杨竣淇   

  1. 安阳师范学院 传媒学院,河南 安阳 455000
  • 收稿日期:2025-04-21 出版日期:2025-08-15 发布日期:2025-08-15
  • 作者简介:杨竣淇,男,湖北恩施人,安阳师范学院传媒学院讲师,博士,E-mail:boyan-yang@zhongxi.cn。

Intuitive Translation and“Symbolic Vacuum”:Internal Dilemma of Cassirer’s Artistic Interpretation

YANG Junqi   

  1. School of Media and Communications,Anyang Normal University,Anyang Henan 100710
  • Received:2025-04-21 Online:2025-08-15 Published:2025-08-15

摘要: 恩斯特·卡西尔的符号形式哲学体系,视艺术为“直觉符号形式”,并以此区别作为“概念符号形式”的语言,他以一种“直觉转译”的方式处理审美活动中感性与精神的关系,形成一种符号化的形式建制。在这种建制中,卡西尔构造了一种由符号形式的建制所维系与保障的近于真空的艺术解释模式,从起始处错过了艺术活动中的肉身维度,过早地使一种感性形式迁换为一种意义形式,进而形成一个闭合的、带有唯我论危险的自洽结构,以致混淆了“形式的直觉”与“直觉的形式”的差异。在此分析基础之上,应该进一步看到和凸显艺术作品、艺术活动所具有的“异在”特质,从而在一种差异叙述的基础之上形成艺术解释模式。

关键词: 卡西尔, 直觉, 符号形式, 艺术解释学

Abstract: In Ernst Cassirer’s philosophical system of symbolic forms,art is an“intuitive symbolic form”and thereby different from the language as a“conceptual symbolic form.”He deals with the relationship between sensibility and spirit in aesthetic activities in a way of“intuitive translation,”and forms a symbolic formal establishment. In this establishment,Cassirer constructs an almost vacuum model of artistic interpretation maintained and guaranteed by the system of symbolic forms. It misses the physical dimension in artistic activities from the very beginning,and prematurely transforms a form of sensibility into a form of meaning,thereby forming a closed,self-consistent structure endangered by egoism. So much so that it confuses the difference between“formal intuition”and“intuitive form”. The analysis shows that it is necessary to further observe and highlight that artworks and artistic activities are“different,”and an artistic interpretation model should be built on the narrative of differences.

Key words: Cassirer, intuition, symbolic form, art hermeneutics

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